Comedy / 3m, 1f / Int. Recently revived at New York's Circle in the Square, where Seymour Hoffman and John C. Reilly alternated playing the roles of the brothers, this American classic explores alternatives that might spring from the demented terrain of the California landscape. Sons of a desert dwelling alcoholic and a suburban wanderer clash over a film script. Austin, the achiever, is working on a script he has sold to producer Sal Kimmer when Lee, a demented petty thief, drops in. He pitches his own idea for a movie to Kimmer, who then wants Austin to junk his bleak, modern love story and write Lee's trashy Western tale. "Shepard's masterwork.... It tells us a truth, as glimpsed by a 37 year old genius." - New York Post "It's clear, funny, naturalistic. It's also opaque, terrifying, surrealistic. If that sounds contradictory, you're on to one aspect of Shepard's winning genius; the ability to make you think you're watching one thing while at the same time he's presenting another." - San Francisco Chronicle
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The confrontation between Shepard's two personalities.
评分"It's clear, funny, naturalistic. It's also opaque, terrifying, surrealistic. If that sounds contradictory, you're on to one aspect of Shepard's winning genius; the ability to make you think you're watching one thing while at the same time he's presenting another."
评分The confrontation between Shepard's two personalities.
评分Mom：要打齣去打 我要見Picasso
评分Shepard最簡短的劇。兄弟兩人一個劇作傢，一個小偷，突然身份就翻轉瞭。對於Lee的劇本，一開始Austin鼓勵Lee寫Lee不敢寫，後來Lee想寫Austin不屑於寫，後來Austin不寫Lee自己寫，後來Austin不寫Lee也不寫，再後來Austin寫Lee不寫。一言不閤就偷toaster，就砸typewriter，就叫妓女，就摔電話，就相約去desert。風格是荒誕的，筆觸是冷峻的，戲劇性讓你頭皮發麻，black humor讓你哭笑不得。
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