The Moon and Sixpence 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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William Somerset Maugham 作者

George H. Doran Company

译者

1919 出版日期

323 页数

0 价格

Paperback

丛书系列

9780217121507 图书编码

The Moon and Sixpence 在线电子书图书标签: 毛姆英文原版英文原版小说小说英文原著英国文学英国月亮和六便士

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The Moon and Sixpence 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Moon and Sixpence 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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一个个性突出的画家的故事。前面部分很吸引我，到了巴黎的部分让我很鄙视这样的人，最后小岛上的生活很宁静美好。不过我还是鄙视这样不知感恩的人。林子大了，什么鸟都有。

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毛姆的文采也是一流了，直追老费，而字里行间戏谑的小诙谐又恍惚有些王尔德的味道；故事是高更的故事，并不励志鸡汤，个人和社会的终极矛盾，真、善、美这些需要超越人类极限的努力去触及的永恒，这样自古不破的bildungsroman，百看不厌!

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用KINDLE看完了第一本完整的电子书。毛姆的文笔果然细腻，专注于剖析人的情感。关于爱的，关于生活的，关于爱好的。

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好费劲。。。用Kindle压力还算不大，收获很多

The Moon and Sixpence 在线电子书著者简介

威廉·萨默塞特·毛姆（William Somerset Maugham,1874 -1965)，英国小说家，剧作家，被誉为“故事圣手”。

生于巴黎，十岁前父母双亡，由叔叔接回英国抚养，因身材矮小，说话结巴，总被同龄人欺凌，性格孤僻敏感。

18岁在伦敦学医，后弃医从文。23岁时发表首部小说《兰贝斯的丽莎》，从此走上文学创作的道路。人生经历奇特，他做过助产，做过间谍，做过演员，做过救护车司机；他做过丈夫，做过情人，拒绝过女人的求婚，他的求婚也被另一个女人拒绝；他自称“四分之三喜欢女人，只有四分之一喜欢男人”。

在文学界，毛姆是一个优雅、老到、冷漠的人性观察者，几乎每一个人都能在他的故事中看到自己，这也让毛姆成为二十世纪炙手可热的作家。

他的后半生住在一座仙境般的别墅里，晚年几乎获得了整个欧洲文学界的一切殊荣。91岁时，逝于法国。

经典代表作：《月亮与六便士》《人性的枷锁》。

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The Moon and Sixpence 在线电子书图书描述

I confess that when first I made acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary. Yet now few will be found to deny his greatness. I do not speak of that greatness which is achieved by the fortunate politician or the successful soldier; that is a quality which belongs to the place he occupies rather than to the man; and a change of circumstances reduces it to very discreet proportions. The Prime Minister out of office is seen, too often, to have been but a pompous rhetorician, and the General without an army is but the tame hero of a market town. The greatness of Charles Strickland was authentic. It may be that you do not like his art, but at all events you can hardly refuse it the tribute of your interest. He disturbs and arrests. The time has passed when he was an object of ridicule, and it is no longer a mark of eccentricity to defend or of perversity to extol him. His faults are accepted as the necessary complement to his merits. It is still possible to discuss his place in art, and the adulation of his admirers is perhaps no less capricious than the disparagement of his detractors; but one thing can never be doubtful, and that is that he had genius. . . .

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