Svetlana Alexievich was born in Ivano-Frankivsk, Ukraine, in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own nonfiction genre, which gathers a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Zinky Boys (1990), Voices from Chernobyl (1997), and Secondhand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature “for her polyphonic writings, a monument to suffering and courage in our time.”
From 1979 to 1989 a million Soviet troops engaged in a devastating war in Afghanistan that claimed 50,000 casualties―and the youth and humanity of many tens of thousands more. Creating controversy and outrage when it was first published in the USSR―it was called by reviewers there a “slanderous piece of fantasy” and part of a “hysterical chorus of malign attacks”―Zinky Boys presents the candid and affecting testimony of the officers and grunts, nurses and prostitutes, mothers, sons, and daughters who describe the war and its lasting effects. What emerges is a story that is shocking in its brutality and revelatory in its similarities to the American experience in Vietnam. The Soviet dead were shipped back in sealed zinc coffins (hence the term “Zinky Boys”), while the state denied the very existence of the conflict. Svetlana Alexievich brings us the truth of the Soviet-Afghan War: the beauty of the country and the savage Army bullying, the killing and the mutilation, the profusion of Western goods, the shame and shattered lives of returned veterans. Zinky Boys offers a unique, harrowing, and unforgettably powerful insight into the realities of war.
我在看完《切尔诺贝利的悲鸣》一书后决定再也不看阿列克谢耶维奇的书。不是不好,是太难承受。斯韦特兰娜·亚历山德罗夫娜·阿列克谢耶维奇,白俄罗斯作家,1948年生于乌克兰,毕业于明斯克大学新闻学系。她用与当事人访谈的方式写作纪实文学,记录了二次世界大战、阿富汗战争...
评分这本书并不是一本读来会让人愉快的书。但阅读,终究也不只是为了愉悦。有些时候,我们总要像卡夫卡所言那样,“读一些会刺痛我们的文字”。 《锌皮娃娃兵》是一本有关阿富汗战争的纪实文学作品。本书作者,白俄罗斯女作家阿列克谢耶维奇在这部作品中使用的手法令人印象深刻...
评分 评分锌,前苏联用它来做棺材的外壳,而装在里面的,是在历时十年之久的苏联对阿富汗的侵略战争中,数以万计的二十岁左右的娃娃兵。他们当中的绝大多数都是抱着满腔报国的热忱并以为自己是去为一场正义战争献身的。 “有两条路可走:一是认识真理;二是回避真理。莫非我们要...
评分这本书并不是一本读来会让人愉快的书。但阅读,终究也不只是为了愉悦。有些时候,我们总要像卡夫卡所言那样,“读一些会刺痛我们的文字”。 《锌皮娃娃兵》是一本有关阿富汗战争的纪实文学作品。本书作者,白俄罗斯女作家阿列克谢耶维奇在这部作品中使用的手法令人印象深刻...
诺贝尔文学奖作家的代表作之一,以口述形式记录了各色各样亲历了苏联入侵阿富汗十年战争的人们:军人,护士,心碎的母亲。书名意指当时阵亡的苏联士兵装在封死的锌皮棺材中,而那些士兵大多只是十八九岁的孩子。战争的荒唐残酷,军队的腐败混乱,种种情境如同人间地狱,而这种人间地狱,二十多年来每天都在这个世界上演,如今更是愈演愈烈。我对国际政治所知有限,不敢妄言,也反感任何简单粗暴的断言。愿第三次世界战争永远不来,愿人间再无任何战争。
评分诺贝尔文学奖作家的代表作之一,以口述形式记录了各色各样亲历了苏联入侵阿富汗十年战争的人们:军人,护士,心碎的母亲。书名意指当时阵亡的苏联士兵装在封死的锌皮棺材中,而那些士兵大多只是十八九岁的孩子。战争的荒唐残酷,军队的腐败混乱,种种情境如同人间地狱,而这种人间地狱,二十多年来每天都在这个世界上演,如今更是愈演愈烈。我对国际政治所知有限,不敢妄言,也反感任何简单粗暴的断言。愿第三次世界战争永远不来,愿人间再无任何战争。
评分1992 "There’s something immoral, voyeuristic about peering too closely at a person’s courage in the face of danger/be branded/Fear is more human than bravery/the murder of courage/the definition of politics?mosquito piss but even thinner than that/I brought my truth back in a plastic bag head arms legs all skinned/War has a strange logic of its own
评分每一个字都是一滴血。
评分1992 "There’s something immoral, voyeuristic about peering too closely at a person’s courage in the face of danger/be branded/Fear is more human than bravery/the murder of courage/the definition of politics?mosquito piss but even thinner than that/I brought my truth back in a plastic bag head arms legs all skinned/War has a strange logic of its own
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