Zinky Boys

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Svetlana Alexievich was born in Ivano-Frankivsk, Ukraine, in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own nonfiction genre, which gathers a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Zinky Boys (1990), Voices from Chernobyl (1997), and Secondhand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature “for her polyphonic writings, a monument to suffering and courage in our time.”

出版者:W. W. Norton & Company
作者:Svetlana Alexievich
出品人:
頁數:224
译者:
出版時間:1992-9-30
價格:USD 15.95
裝幀:Paperback
isbn號碼:9780393336863
叢書系列:
圖書標籤:
  • 蘇聯 
  • 俄羅斯文學 
  • 紀實 
  • 戰爭 
  • 紀實文學 
  • 阿富汗 
  • 英文版 
  • 政治 
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From 1979 to 1989 a million Soviet troops engaged in a devastating war in Afghanistan that claimed 50,000 casualties―and the youth and humanity of many tens of thousands more. Creating controversy and outrage when it was first published in the USSR―it was called by reviewers there a “slanderous piece of fantasy” and part of a “hysterical chorus of malign attacks”―Zinky Boys presents the candid and affecting testimony of the officers and grunts, nurses and prostitutes, mothers, sons, and daughters who describe the war and its lasting effects. What emerges is a story that is shocking in its brutality and revelatory in its similarities to the American experience in Vietnam. The Soviet dead were shipped back in sealed zinc coffins (hence the term “Zinky Boys”), while the state denied the very existence of the conflict. Svetlana Alexievich brings us the truth of the Soviet-Afghan War: the beauty of the country and the savage Army bullying, the killing and the mutilation, the profusion of Western goods, the shame and shattered lives of returned veterans. Zinky Boys offers a unique, harrowing, and unforgettably powerful insight into the realities of war.

具體描述

讀後感

評分

站在我们的立场看,这是一场个人对集体的控诉。天平似乎从来都过分倾斜,而人们又被封口缄默,让所有声音在肝肠里聚集、翻滚、轰炸,冲破皮囊灌入口鼻,再变作一口气化为虚无,生产出一剂刺痛神经的止痛药。 我们都知道,在这个时代,你用青春和生命交换的,不过是一张空头支票...  

評分

每次看阿列克谢耶维奇的书都像一场自虐,主题过于沉重:战争、死亡、巨大的人类灾难;情感过于悲怆:爱情的破碎、亲情的失落、对国家的失望;矛盾过于复杂:服从与反抗、真实与虚假、正义与非正义……看她的书常常饱含热泪,内心纠结、气愤、无奈、疲惫、灰暗、悲凉、...  

評分

空余时间我在一家博物馆的陶瓷馆做志愿讲解员,讲完东汉,便进入三国,这个时代少有好看的瓷器,作为一个过渡,我会说“三国及魏晋南北朝时期瓷器发展停滞下来,这是中国历史上政权更迭最频繁的时期。由于长期的封建割据和连绵不断的战争,人口锐减,仅仅黄巾起义和三国混战这...  

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对军人总是有种莫名的亲切感,大概是因为从小在军人堆里长大的缘故吧。 小时候,特别喜欢站在路边,看整齐的军人队列在林荫道上齐步走过,也喜欢和同龄的孩子们玩着关于战争的游戏,每个孩子都争着想当一名英勇的解放军去英勇杀敌。游戏中,孩子们双手模仿着枪的形状,对着另一...  

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文学包括诗歌、散文、小说、戏剧、报告等,报告文学又称纪实文学,是一直以来被人们淡忘的文学分支 并不是诺奖没人,是诺奖需要真实性,你们对战争一无所知,这本书就来告诉你,什么是战争 参加过战争的人,他们永远无法像正常人一样活着,战争就是杀人,就是要他们摒弃原有的...

用戶評價

评分

"You'll find another soldier...to hold you... and... I'll never kiss your lips again...Or break your heart." (Tom Waits, Ruby's Arms, 1980)

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諾貝爾文學奬作傢的代錶作之一,以口述形式記錄瞭各色各樣親曆瞭蘇聯入侵阿富汗十年戰爭的人們:軍人,護士,心碎的母親。書名意指當時陣亡的蘇聯士兵裝在封死的鋅皮棺材中,而那些士兵大多隻是十八九歲的孩子。戰爭的荒唐殘酷,軍隊的腐敗混亂,種種情境如同人間地獄,而這種人間地獄,二十多年來每天都在這個世界上演,如今更是愈演愈烈。我對國際政治所知有限,不敢妄言,也反感任何簡單粗暴的斷言。願第三次世界戰爭永遠不來,願人間再無任何戰爭。

评分

諾貝爾文學奬作傢的代錶作之一,以口述形式記錄瞭各色各樣親曆瞭蘇聯入侵阿富汗十年戰爭的人們:軍人,護士,心碎的母親。書名意指當時陣亡的蘇聯士兵裝在封死的鋅皮棺材中,而那些士兵大多隻是十八九歲的孩子。戰爭的荒唐殘酷,軍隊的腐敗混亂,種種情境如同人間地獄,而這種人間地獄,二十多年來每天都在這個世界上演,如今更是愈演愈烈。我對國際政治所知有限,不敢妄言,也反感任何簡單粗暴的斷言。願第三次世界戰爭永遠不來,願人間再無任何戰爭。

评分

1992 "There’s something immoral, voyeuristic about peering too closely at a person’s courage in the face of danger/be branded/Fear is more human than bravery/the murder of courage/the definition of politics?mosquito piss but even thinner than that/I brought my truth back in a plastic bag head arms legs all skinned/War has a strange logic of its own

评分

1992 "There’s something immoral, voyeuristic about peering too closely at a person’s courage in the face of danger/be branded/Fear is more human than bravery/the murder of courage/the definition of politics?mosquito piss but even thinner than that/I brought my truth back in a plastic bag head arms legs all skinned/War has a strange logic of its own

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