Richard III

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出版者:W. W. Norton & Company
作者:William Shakespeare
出品人:
页数:448
译者:
出版时间:2008-12-19
价格:0
装帧:Paperback
isbn号码:9780393929591
丛书系列:Norton Critical Editions
图书标签:
  • Shakespeare 
  • 莎士比亚 
  • 理查三世 
  • 英国戏剧 
  • 外国文学 
  • play 
  • lib 
  • drama 
  •  
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In The Tragedy of King Richard III, Shakespeare chronicles the rise and fall of one of history’s most repellent, and the theater’s most mesmerizing, figures.

This Norton Critical Edition of Richard III is based on the First Quarto (1597) edition of the play with interpolations from the First Folio (1623). The play is accompanied by a preface, explanatory annotations, A Note on the Text, a list of Textual Variants, and eighteen illustrations of seminal scenes from major dramatic productions and film versions of the play.

“Contexts” provides readers with the sources and analogues that informed Shakespeare’s composition of Richard III. These include excerpts from Robert Fabyan’s New Chronicles of England and France, Thomas More’s The History of King Richard III, Edward Hall’s The Union of the Two Noble and Illustre Families of Lancaster and York, A Mirror for Magistrates, and The True Tragedy of Richard III. A selection from Colley Cibber’s eighteenth-century adaptation records the compromised form in which Richard III held the stage for approximately two hundred years before twentieth-century editors brought it back into recognizable shape. A representative selection of commentary on stage and film reproductions of Richard III is also provided, ranging from reviews of nineteenth-century productions by William Hazlitt and George Bernard Shaw, a survey of stage performances by Scott Colley, and in-depth analyses of twentieth-century film adaptations by Saskia Kossak, Barbara Hodgdon, and Peter S. Donaldson.

“Criticism” collects eight major pieces of scholarship, including early accounts of the play’s major themes by William Richardson and Edward Dowden, modern critical assessments by Wilbur Sanders, Elihu Pearlman, Linda Charnes, Katherine Maus, and Ian Moulton, and an essay by Harry Berger Jr. especially commissioned for this volume.

A Selected Bibliography is also included.

18 illustrations

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在莎士比亚著名的历史剧《理查三世》中,主人公理查三世一直以凶狠残暴、阴险毒辣的恶人形象示人。这种恶首先表现在他的外表: 可是天生我畸形,不适于戏谑,也无从向含情的明镜前讨欢爱; 我粗陋成相,比不上爱神的仪容,焉能在袅娜的仙姑前昂首阔步; 我既被卸除了一切匀称...

评分

在莎士比亚著名的历史剧《理查三世》中,主人公理查三世一直以凶狠残暴、阴险毒辣的恶人形象示人。这种恶首先表现在他的外表: 可是天生我畸形,不适于戏谑,也无从向含情的明镜前讨欢爱; 我粗陋成相,比不上爱神的仪容,焉能在袅娜的仙姑前昂首阔步; 我既被卸除了一切匀称...

评分

在莎士比亚著名的历史剧《理查三世》中,主人公理查三世一直以凶狠残暴、阴险毒辣的恶人形象示人。这种恶首先表现在他的外表: 可是天生我畸形,不适于戏谑,也无从向含情的明镜前讨欢爱; 我粗陋成相,比不上爱神的仪容,焉能在袅娜的仙姑前昂首阔步; 我既被卸除了一切匀称...

评分

在莎士比亚著名的历史剧《理查三世》中,主人公理查三世一直以凶狠残暴、阴险毒辣的恶人形象示人。这种恶首先表现在他的外表: 可是天生我畸形,不适于戏谑,也无从向含情的明镜前讨欢爱; 我粗陋成相,比不上爱神的仪容,焉能在袅娜的仙姑前昂首阔步; 我既被卸除了一切匀称...

评分

在莎士比亚著名的历史剧《理查三世》中,主人公理查三世一直以凶狠残暴、阴险毒辣的恶人形象示人。这种恶首先表现在他的外表: 可是天生我畸形,不适于戏谑,也无从向含情的明镜前讨欢爱; 我粗陋成相,比不上爱神的仪容,焉能在袅娜的仙姑前昂首阔步; 我既被卸除了一切匀称...

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