This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is presented, which insists on the realism of pictures and the impossibility of assimilating them to language. It criticizes attempts to explain the psychology of film viewing in terms of the viewer's imaginary occupation of a position within the world of film. On the contrary, film viewing is nearly always impersonal.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
羅圈兒話
评分羅圈兒話
评分如果存在視覺幻象，為什麼不能有情感幻象？
评分如果存在視覺幻象，為什麼不能有情感幻象？
评分羅圈兒話
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