The architectural facade addresses and enhances the space of the city, while displaying, or dissembling, interior arrangements. In this book, Charles Burroughs tracks the emergence of the facade in late medieval Florence and then follows the sharply diverging reactions of Renaissance architects to new demands and possibilities for representation in both residential and governmental contexts. Understanding the facade as an assemblage of elements of diverse character and origin, Burroughs explores the wide range of formal solutions available to architects and patrons. In the absence of explicit reflection on the facade in Renaissance architectural discourse, Burroughs notes the theoretical implications of certain celebrated designs, implying mediation on the nature of architecture itself and the society it serves and represents, as well as on the relationship between nature and culture.
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惭愧地说是为文章找参考,抓耳挠腮地读了两天,但感觉类似于在珍珠堆里捡贝壳,很多精深的东西,我限于自身水平只能摘出在自己可理解可利用范围内的只言片语。有机会静心重读。
评分惭愧地说是为文章找参考,抓耳挠腮地读了两天,但感觉类似于在珍珠堆里捡贝壳,很多精深的东西,我限于自身水平只能摘出在自己可理解可利用范围内的只言片语。有机会静心重读。
评分读得好辛苦,信息量好大,若我一开头就看这本估计早就打消文艺复兴的念头了
评分惭愧地说是为文章找参考,抓耳挠腮地读了两天,但感觉类似于在珍珠堆里捡贝壳,很多精深的东西,我限于自身水平只能摘出在自己可理解可利用范围内的只言片语。有机会静心重读。
评分读得好辛苦,信息量好大,若我一开头就看这本估计早就打消文艺复兴的念头了
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