The architectural facade addresses and enhances the space of the city, while displaying, or dissembling, interior arrangements. In this book, Charles Burroughs tracks the emergence of the facade in late medieval Florence and then follows the sharply diverging reactions of Renaissance architects to new demands and possibilities for representation in both residential and governmental contexts. Understanding the facade as an assemblage of elements of diverse character and origin, Burroughs explores the wide range of formal solutions available to architects and patrons. In the absence of explicit reflection on the facade in Renaissance architectural discourse, Burroughs notes the theoretical implications of certain celebrated designs, implying mediation on the nature of architecture itself and the society it serves and represents, as well as on the relationship between nature and culture.
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讀得好辛苦,信息量好大,若我一開頭就看這本估計早就打消文藝復興的念頭瞭
评分慚愧地說是為文章找參考,抓耳撓腮地讀瞭兩天,但感覺類似於在珍珠堆裏撿貝殼,很多精深的東西,我限於自身水平隻能摘齣在自己可理解可利用範圍內的隻言片語。有機會靜心重讀。
评分慚愧地說是為文章找參考,抓耳撓腮地讀瞭兩天,但感覺類似於在珍珠堆裏撿貝殼,很多精深的東西,我限於自身水平隻能摘齣在自己可理解可利用範圍內的隻言片語。有機會靜心重讀。
评分讀得好辛苦,信息量好大,若我一開頭就看這本估計早就打消文藝復興的念頭瞭
评分讀得好辛苦,信息量好大,若我一開頭就看這本估計早就打消文藝復興的念頭瞭
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