A renowned scholar of Islamic art, history and culture, Oleg Grabar introduces in this book a wide range of illuminated manuscript masterpieces from the eighth to the seventeenth century. The heroes of grand epics such as Alexander the Great are found side-by-side with mythical monarchs, sultans, and even monsters. Illuminated manuscripts of the Koran, epic poetry, and scientific works from the Egyptian, Syrian, Persian, Mogul, and Ottoman Empires await discovery. The book opens with an essay which contextualizes the works-the originals of which reside in the Louvre, French National Library, National Library of Cairo, the British Library, Metropolitan Museum of Art, the Topkapi Museum, the Freer Gallery of Art and the collections of the Aga Khan and Khalili families. Following is a selection of two hundred full-color illustrations accompanied by the author's insightful commentary. Including examples of some of the world's most beautiful artistic expressions, this collection of carefully chosen works not only illustrates an important period in art history but also serves as a monument to the achievements of Islamic culture.
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人物的骨架能看到中国画的影子，特有的pattern和丰富的用色又有拜占庭的影子。有时候觉得颜色太脏了，构图也有点混乱。
评分文字偏介紹性，在加上奇怪的圖像學分析讓我個人看不太下去...不過內容倒是包羅萬象，感覺伊斯蘭藝術裡東西方的元素都有摻雜一點，其中還有幾幅看起來像唐卡，嚇死小的了。
评分人物的骨架能看到中国画的影子，特有的pattern和丰富的用色又有拜占庭的影子。有时候觉得颜色太脏了，构图也有点混乱。
评分文字偏介紹性，在加上奇怪的圖像學分析讓我個人看不太下去...不過內容倒是包羅萬象，感覺伊斯蘭藝術裡東西方的元素都有摻雜一點，其中還有幾幅看起來像唐卡，嚇死小的了。
评分人物的骨架能看到中国画的影子，特有的pattern和丰富的用色又有拜占庭的影子。有时候觉得颜色太脏了，构图也有点混乱。
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