The world of Shirley Jackson is eerie and unforgettable, writes A. M. Homes. "It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse." Jackson's characters-mostly unloved daughters in search of a home, a career, a family of their own-chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters' dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson's suggestion that there are unseen powers-"demons" both subconscious and supernatural-malevolently conspiring against human happiness.
In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson's only collection of short fiction, whose disquieting title story-one of the most widely anthologized tales of the 20th century-has entered American folklore. Also among these early works are "The Daemon Lover," a story Oates praises as "deeper, more mysterious, and more disturbing than 'The Lottery,' " and "Charles," the hilarious sketch that launched Jackson's secondary career as a domestic humorist. Here too are Jackson's masterly short novels: The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay "Biography of a Story," Jackson's acidly funny account of the public reception of "The Lottery," which provoked more mail from readers of The New Yorker than any contribution before or since.
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这份阅读体验,与其说是读了一个故事,不如说是一次深入的哲学思辨之旅。作者对“命运”和“自由意志”的主题进行了深刻的探讨,尽管是以一种非常隐晦和文学化的方式呈现。书中的隐喻层出不穷,大到社会结构,小到一次无意的眼神接触,都似乎蕴含着某种预示或宿命的安排。我花了大量时间去回味那些看似不起眼的人物对话和环境描写,因为它们往往是通往更深层含义的钥匙。这本书的文学厚度是毋庸置疑的,它经得起反复推敲和解读,每次重读都会有新的感悟。它不仅仅是关于发生在我们身上的事情,更是关于我们如何去理解和接受那些无法控制的力量。如果你期待一部简单直白的娱乐读物,这本书可能会让你感到挑战,但如果你渴望那种能触动你思维深处的文学震撼,那么它无疑是上上之选。
评分这本书简直是心理悬疑小说的巅峰之作!作者的笔触细腻入微,将那种渗透骨髓的恐惧感描绘得淋漓尽致。你以为你了解故事的发展脉络,但下一秒,那种微妙的、难以言喻的不安感就会像藤蔓一样紧紧缠绕住你的心。我特别欣赏作者对于人物内心挣扎的刻画,那种介于清醒与疯狂之间的游走状态,让人读起来既揪心又着迷。书中的环境描写也是一绝,阴郁、沉闷的氛围仿佛能透过纸张散发出来,让你身临其境地感受到那种与世隔绝的压抑。整个阅读过程就像是进行了一场漫长而艰苦的心理马拉松,每翻一页都充满了对未知的好奇和对主人公命运的担忧。高潮部分的爆发力十足,但更令人称道的是作者在铺陈阶段所下的那些看似不经意却处处埋下的伏笔,等到真相大白时,那种豁然开朗的震撼感是其他同类作品难以企及的。总之,这是一部需要你全神贯注,并且读完后会让你久久无法平静的杰作。
评分读完这本书,我感觉自己好像刚刚完成了一次对人类社会复杂性的深刻考察。它不仅仅是一个简单的故事,更像是一面多棱镜,折射出集体行为的荒谬性以及个体在巨大压力下如何扭曲变形。叙事节奏把握得极其精准,时而缓慢沉思,像在酝酿一场风暴;时而迅疾凌厉,毫不留情地揭示残酷的真相。我对作者构建的那个特定社群的观察入木三分,那些看似遵循传统和逻辑的表象下,隐藏着多么令人心寒的非理性。特别是关于“他者”和“异类”的探讨,触及了人性中最原始的排斥和恐惧心理,让人不禁反思我们自己所处的环境。这本书的魅力在于它没有提供廉价的答案,而是提出了尖锐的问题,迫使读者跳出故事本身,审视现实世界中类似的影子。文字功底扎实得毋庸置疑,很多段落的措辞和句式变化多端,读起来绝不枯燥,反而充满了文学的韵味和节奏感。
评分这本书的结构设计简直是教科书级别的示范。它采用了非线性叙事的手法,不断在不同时间点和视角之间跳跃,但每一次的跳转都像是在拼图一样,恰到好处地为读者提供新的关键信息,让你在困惑中逐步构建出事件的全貌。这种叙事上的“留白”艺术处理得非常高明,它尊重读者的智力,相信读者有能力去填补那些未言明的空白,同时也巧妙地引导着读者的情绪走向。我欣赏作者那种克制而精确的表达方式,很多时候,最令人不安的场景往往是在最平淡的叙述中发生的。整本书读下来,会有一种被精心引导的感觉,仿佛作者全程都在掌控着你的呼吸和心跳频率。对于那些追求叙事技巧和结构美感的读者来说,这本书绝对是不可多得的范例。
评分说实话,这本书的阅读体验是相当独特的,甚至可以说是有些“反直觉”的。它没有传统意义上的英雄或恶棍,所有的角色都沾染着泥土和缺陷,活生生地站在你的面前。我尤其喜欢作者处理“日常”的方式,那些柴米油盐的琐碎细节,被巧妙地编织进了越来越诡异的情节线索中,制造出一种“恐怖正在缓慢入侵生活”的真实感。这种渐进式的紧张累积,比突如其来的惊吓要高明得多。我得承认,有那么几段情节,我得停下来,深呼吸几次才能继续往下看,不是因为血腥,而是那种心理上的不适感太强烈了。它成功地利用了我们对熟悉的、安全的空间产生不安全感的心理弱点。文学价值和娱乐性达到了一个完美的平衡点,让人在享受故事的同时,也能感受到文字的力量和深度。
评分Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones.
评分Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones.
评分Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones.
评分Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones.
评分Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones.
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