Carl Barat from The Libertines and Dirty Pretty Things.
From his childhood in suburban Basingstoke, through times of literally being down and out in London and Paris, to success as one of the co-founders of one of Britain's most revered bands, Carl Barat has gone through the glass darkly as bands fell apart around him, friendships faltered and egos and hedonism threatened to pull his life apart.
THREEPENNY MEMOIR tells his extraordinary story, in themed chapters. Love tells of early, unrequited ardour, first heartache and the enduring feelings he has for his best friend, Pete Doherty. Work details time spent on the night shift in factory jobs; his first taste of the bright lights and big city as an usher in theatreland; of the moment when rock and roll really did become just another chore. London looks at the city that shaped him and helped nurture him as a song writer even as he slept on its streets; Icons his fascination with Sir Alec Guinness, his adoration of David Niven, the affinity he felt for the War Poets; Drugs - well, you can probably guess.
Each chapter is chronologically linked by pages from Barat's journal, each recalling a pivotal moment from his life. The Libertines' first NME cover in June 2002; their last ever show in Paris just before Christmas in 2004. Walking out on stage with Pete once more at the Hackney Empire in April 2007; touring broken-hearted and solo along America's West Coast in early 2009. His first night onstage at the Riverside Hammersmith, in Sam Shephard's Fool For Love in January 2010. His thoughts on the upcoming Libertines reunion in August 2010.
THREEPENNY MEMOIR is a revealing and intimate self-portrait, a story of love and fighting and the creativity that came of that, and a fascinating account of the London of the last decade, with The Libertines its beating heart.
It’s 2003 and we’re about to go on stage. Gary and John are warming up, I can hear the thrum of the bass, the ricochet of the snare. Peter takes my hand and, barely acknowledging the rest of the band: ‘Just you and me, we can do this without them. You ha...
評分女神搞不好是个灾星。 事例1: 跟皮胖为了50磅巨额报酬去养老院演出,拿出立不挺最温柔和煦的音乐,比如 <Anything But Love>,爷爷奶奶们还是纷纷以手堵耳朵、面容痛苦神情困惑。结果唱到一半,一个床位的帘子被拉上了,白布蒙上了——有一个老人在他们演出期间,去世了(……...
評分It’s 2003 and we’re about to go on stage. Gary and John are warming up, I can hear the thrum of the bass, the ricochet of the snare. Peter takes my hand and, barely acknowledging the rest of the band: ‘Just you and me, we can do this without them. You ha...
評分It’s 2003 and we’re about to go on stage. Gary and John are warming up, I can hear the thrum of the bass, the ricochet of the snare. Peter takes my hand and, barely acknowledging the rest of the band: ‘Just you and me, we can do this without them. You ha...
評分章節混亂,毫無時序可言,可能此乃作者風格,又可能作者行文時腦袋受其他物質影響,其實通通都不重要,因本書實在有趣,書如其人, 混亂、搞笑。but, no no, 難道我們樂迷們不知道Carlos其實是憂鬱的、認真的? (但作者的命運總是逃不過種種的偏差) 書的開首是比較咬文嚼字,...
跑題跑到沒朋友but with a satisfying degree of honesty. 作者真是一個no zuo no die超級敏感缺乏自信自毀傾嚮的文藝青年啊,空有搖滾style卻沒有自由的心。 rest assured there are plenty of peter and author‘s love for him。
评分後麵的就...沒看下去........-_- 【夠】但....嗯...我想說....那個誰是真愛啊真愛 【閉嘴】
评分近距離閱讀你愛豆 隻能在意誌力充足的時候和麻木眩暈的時候(我愛立立安????
评分Pete takes my hand and barely acknowledging the rest of the band: Just you and me, we can do this without them. You have to believe
评分是覺得女神對皮胖依賴性更強的。是Pete讓他覺得這一切是可以的,能夠發生的,不是在想象之外的,跑到他做引領員的劇院裏對他大喊你在這乾嗎我們應該在寫歌。因為Pete戰勝舞颱恐懼,在他離開的時候一次次夢見自己的死亡。很多次都覺得自己更貼近這個永遠缺少安全感害怕被遺棄,有信任睏難的卡女神。
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