Too Much Happiness

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艾丽丝•门罗(Alice Munro,1931— )

加拿大女作家,当代短篇小说大师,2013年诺贝尔文学奖得主。少女时代即开始写作,37岁时出版第一部作品。她一生专注于中短篇小说创作,讲述小地方普通人特别是女性隐含悲剧的平常生活,以细腻透彻又波澜不惊的话语,洞见人性的幽微处。

出版者:Vintage
作者:Alice Munro
出品人:
页数:320
译者:
出版时间:2010-09-02
价格:GBP 7.99
装帧:Paperback
isbn号码:9780099524298
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  • 小说 
  • AliceMunro 
  • 外文書 
  • 英语 
  • 英文 
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A wife and mother, whose spirit has been crushed, finds release from her extraordinary pain in the most unlikely place. The young victim of a humiliating seduction (which involves reading Housman in the nude) finds an unusual way to get her own back and move on. An older woman, dying of cancer, weaves a poisonous story to save her life. Other stories of this title uncover the 'deep holes' in marriage and their consequences, the dangerous intimacy of girls and the cruelty of children. The long title story follows Sophia Kovalevsky, a late nineteenth-century Russian emigree and mathematical genius, as she takes a fateful winter journey that begins with a visit to her lover on the Riviera, and ends in Sweden, where she is a professor at the only university willing to hire a woman to teach her subject. Alice Munro takes on complex, even harrowing emotions and events, and renders them into stories that surprise, amaze and shed light on the unpredictable ways we accommodate to what happens in our lives.

具体描述

读后感

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这本小说集题为 “Too Much Happiness”, 但其实它是讲痛苦的,讲那些人们没太有办法讲出口的痛苦。这是我读过的门罗的小说集中最暴力、最惊心动魄的一本,但是故事中的暴力,包括谋杀、性骚扰、出轨、意外等等,并不构成故事的高潮,它们的核心还是在关照人们那些无法言说的委...  

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[前文已删] 如果是網絡版本,這本書中D-holes這一篇的結尾少了一段。但這一篇很容易搜到。=] ______2014年1月补_____ deep holes我的理解: 讲述了一个中产(知识分子)家庭的地质变迁,Kent是一个牺牲者或是一个最终坚持自我的人很难下定论,或许两方面对他而言都说得通...  

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莎拉只是作为妻子和母亲的角色存在着,她没有她自己,除了她和儿子肯特共同关注的不为人知的小岛(达库尼亚岛——音译为不可抵达之岛)。那是专属于他们两个人的秘密,两个人独立于庸常生活的自由。 肯特离家出走多年之后,当她第一次在网上查到那个小岛,它已经成为那些花花绿...

用户评价

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还是那么好。

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Booker Prize 2009

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'it is to be happiness after all.Happiness after all.Happiness.'

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更劲爆的一本,谋杀,死亡,恋童,身体畸形,入室抢劫,不是很喜欢titular(最后一个)故事;“Munro isn’t interested in standard literary aesthetics. She doesn’t traffic in the artful, the lyrical or the euphonious. When she savages your heart, it’s with language almost ostentatious in its refusal to be pretty.”

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There’s so much sorrow under the incredibly subtle strokes of Alice Munro.

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