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Ian McEwan is a critically acclaimed author of short stories and novels for adults, as well as The Daydreamer, a children's novel illustrated by Anthony Browne. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His other award-winning novels are The Child in Time, which won the 1987 Whitbread Novel of the Year Award, and Amsterdam, which won the 1998 Booker Prize.

出版者:Vintage

作者:Ian McEwan

出品人:

页数:304

译者:

出版时间:2011-3-3

价格:GBP 7.99

装帧:Paperback

isbn号码:9780099549024

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图书标签:

英国
Ian-McEwan
麦克尤恩
english
McEwan,Ian
Ian_McEwan

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Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her. When Beard's professional and personal worlds collide in a freak accident, an opportunity presents itself for Beard to extricate himself from his marital mess, reinvigorate his career and save the world from environmental disaster. Ranging from the Arctic Circle to the deserts of New Mexico, "Solar" is a serious and darkly satirical novel, showing human frailty struggling with the most pressing and complex problem of our time. A story of one man's greed and self-deception, it is a profound and stylish new work from one of the world's great writers.

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因为喜欢McEwan，所以出Solar没多久就买了，哦，新作Sweet Tooth也是，而且还是实体书和Kindle版一起买。回国的时候发现Solar已经翻译出版了，译者和On Chesil Beach的是同一人，上海译文出版社的黄昱宁。 McEwan写学术界也像那么个回事：声名显赫的教授到一定年纪变成学术花...

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写的还行总有些东西是自己喜欢的加油吧当然不一定要自己喜欢才是别人喜欢的每个人的爱好不同所以你们还是自己来看吧或许您对此不感兴趣但是还有其他好多书呢您喜欢哪种呢有哲理类的言情类的喜剧类的总而言之您能说出来的肯定都会有的

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个人片面的、纠葛在生活日常场域之中的视线，如何能够看到气候变化的地球，并且做出有效的应对？生态危机的宏大和个人生活的渺小，这个巨大落差导致的难题，当代人都会体验。而难题之所以难解，恰好和现实主义小说这一形式自身的局限环环相扣：作者提供的环境描写，常常是通过...

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by黄昱宁地球的命运，是麦克尤恩2010年的长篇新作《追日》（Solar）探讨的深层主题。近年来，这几乎是所有企图将“全球视角”（world　view）注入小说的作家都探讨过或者至少是隐约指向过的问题。麦克尤恩不像玛格丽特?阿特伍德或者多丽丝?莱辛那样热衷于寓言式科幻，...

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任何一个作家都有“变脸”的渴望，因为这是自己突破藩篱、挣脱瓶颈的明证所指，伊恩•麦克尤恩自然也不例外。作为一个书写闭环境遇中奇情奇事而成名立万的小说家，麦克尤恩意欲撇清自我早期创作形态的努力，在近年的写作中愈发彰显，其《追日》显然是野心之作，亦为“炫技...