Cinematic Emotion in Horror Films and Thrillers 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Cinematic Emotion in Horror Films and Thrillers

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Julian Hanich 作者
Routledge
譯者
2010-4-30 出版日期
314 頁數
GBP 110.00 價格
Hardcover
叢書系列
9780415871396 圖書編碼

Cinematic Emotion in Horror Films and Thrillers 在線電子書 圖書標籤: JulianHanich  哲學  theory  phenomenology  filmstudies  cognitive  CinemaStudies   


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Cinematic Emotion in Horror Films and Thrillers 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Cinematic Emotion in Horror Films and Thrillers 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Cinematic Emotion in Horror Films and Thrillers 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Cinematic Emotion in Horror Films and Thrillers 在線電子書 用戶評價

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好讀(為瞭畢設再翻齣來讀幾遍

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好讀(為瞭畢設再翻齣來讀幾遍

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好讀(為瞭畢設再翻齣來讀幾遍

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好讀(為瞭畢設再翻齣來讀幾遍

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好讀(為瞭畢設再翻齣來讀幾遍

Cinematic Emotion in Horror Films and Thrillers 在線電子書 著者簡介


Cinematic Emotion in Horror Films and Thrillers 在線電子書 著者簡介


Cinematic Emotion in Horror Films and Thrillers 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Cinematic Emotion in Horror Films and Thrillers 在線電子書 圖書描述

Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer's frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemary's Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions. In so doing, this book opens up new ways of dealing with these emotions. Hanich's study does not stop at the level of fear in the movie theater, however, but puts the strong cinematic emotion against the backdrop of some of the most crucial developments of our modern world: disembodiment, acceleration and the loosening of social bonds. Hanich argues that the strong affective, temporal, and social experiences of frightening movies can be particularly pleasurable precisely because they help to counterbalance these ambivalent changes of modernity.

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