論文目次

導論
1 由文化意象談「東亞」之形塑（石守謙） 07
2 從月印萬川到大海一味——東亞文化意象的體現與流衍（廖肇亨） 33

一、理想世界的文化意象
1-1 桃花源意象的形塑與在東亞的傳佈（石守謙） 53
1-2 東亞世界中阿彌陀畫像之諸相（井手誠之輔） 97

二、勝景／聖境的文化意象
2-1 西湖在中日韓——略談風景轉移在東亞文學中的意義（金文京） 141
2-2 作為東亞圖象的瀟湘八景圖——
十五世紀朝鮮前期文人所見到的東亞瀟湘八景圖（板倉聖哲） 167
2-3 聖境與生死流轉——日本五山漢詩中普陀山文化意象的嬗變（廖肇亨） 191

三、典範人物的文化意象
3-1 清凉寺釋迦像的日本傳統（Donald F. McCallum） 227
3-2 東亞文學與繪畫中的騎驢與騎牛意象（張伯偉） 271
3-3 日本五山禪僧詩中的東坡形象——
以煎茶詩、風水洞、海棠等為中心（朱秋而） 331
3-4 維摩詰形象在東亞繪畫中的流轉（陳韻如） 365
3-5 寒山拾得之多重意象——詩、畫、傳說的交互指涉（巫佩蓉） 415

四、軼事／傳奇的文化意象
4-1 宋元時期的蘇軾野服形象（朴載碩） 461
4-2 明代中韓「孝女」唱和詩的文化意涵（衣若芬） 507
4-3 此恨綿綿無絕期——狩野山雪的〈長恨歌圖〉研究（林麗江） 539

英文摘要 603

引用書目 614

Contents
Introduction
i. Understanding the Shaping of “East Asia” from Its Cultural Images ( Shou-chien Shih) 07
ii. From Ten Thousand Different Rivulets to One Homogeneous Sea: The Representation and
Diffusion of East Asian Cultural Images (Zhao-heng Liao) 33
I Cultural Images of Utopias
i. The Formation of the “Peach Blossom Spring” Image and Its Transmission throughout East
Asia (Shou-chien Shih) 53
ii. Various Aspects of Amitābha Pictorial Images in East Asia (Seinosuke Ide) 97
II Cultural Images of Beautiful Scenery and Sacred Environs
i. West Lake in Japan and Korea: Discussing the Meaning of Scenery Transference in East
Asian Literature (Moonkyong Kim) 141
ii. The “Eight Views of Xiaoxiang,” an East Asian Pictorial Image: Renderings of the “Eight
Views of Xiaoxiang” Seen by 15th Century Joseon Literati (Masaaki Itakura) 167
iii. Holy Sites and the Cycle of Life and Death: Transformation of the Image of Mount Potalaka
in Japanese Kanji Poetry of the Five Mountains (Zhao-heng Liao) 191
III Cultural Images of Classical Personages
i. The Japanese Tradition of the Seiryōji Shaka (Donald F. McCallum) 227
ii. The Image of Donkey Riding and Water Buffalo Riding in the Literature and Painting of
East Asia (Bo-wei Zhang) 271
iii. The Image of Su Dongpo in the Poems of the Japanese Zen Buddhist Monks of the Five
Mountains: Based Primarily on Poems such as “Cooked Tea,” “Wind and Water Cave,” and
“Begonia”(Ciou-er Ju) 331
iv. The Circulation of Vimalakīrti’s Image in East Asian Painting (Yun-ru Chen) 365
v. The Myriad Images of Hanshan and Shide: The Web of Critique between Poetry, Painting,
and Legend (Pei-jung Wu) 415
IV Cultural Images of Unoffi cial History and Legend
i. Rustic Images of Su Shi from the Song and Yuan Dynasties (Jae-seok Bak) 461
ii. The “Filial Daughter” in Chinese and Korean Poems from the 15th to the 17th Century (Lofen
I) 507
iii. This Dolor Is Everlasting: The Study of Kanō Sansetsu’s The Song of Everlasting Sorrow
(Li-jiang Lin) 539
English Abstracts 603
Bibliography 614
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