Artificial Hells 在線電子書 圖書標籤: 藝術 PerformanceArt ParticipatoryArt 參與藝術 criticism 藝術理論 art 藝術市場
發表於2024-12-25
Artificial Hells 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024
看曆史和時間綫彆看critique.
評分兩年前一刷,後來讀太多遍以至於居然不知道該說啥。曆史梳理是吼的,特彆是關於歐洲的實踐,非常詳細。但Bishop本人站隊非常不明確,基本還是在朗學脈絡裏討論,一拍大腿估計想起來要有自己的評點,居然神特麼轉嚮瞭拉康.....這個發展可以說是非常清純不做作瞭。
評分Participatory art is not a privileged political medium, nor a ready-made solution to a society of the spectacle, but is as uncertain and precarious as democracy itself;neither are legitimated in advance but need continually to be performed and tested in every specific context.
評分因為真的想去試圖有機會寫齣一個計畫而隨便從州圖搜齣來的關於參與式藝術的書,論述的觀點我覺得並不是太複雜或者說很難想。但背後紮實的案例梳理,爬梳這類藝術的發展脈絡,會provoke讀者,閱讀的過程本身倒像參與式的一個作品(笑。對我來說更像入門瞭解的工具書吧。
評分兩年前一刷,後來讀太多遍以至於居然不知道該說啥。曆史梳理是吼的,特彆是關於歐洲的實踐,非常詳細。但Bishop本人站隊非常不明確,基本還是在朗學脈絡裏討論,一拍大腿估計想起來要有自己的評點,居然神特麼轉嚮瞭拉康.....這個發展可以說是非常清純不做作瞭。
作者簡介
剋萊兒.畢莎普 Claire Bishop
紐約市立大學藝術史研究所博士班副教授。著有《裝置藝術》(Installation Art: A Critical History),是《參與》(Participation)雜誌主編。2008年,她共同策劃在倫敦當代藝術中心舉辦的「Double Agent」展,她也持續在Artforum、October、e-flux等雜誌發錶論文。
譯者簡介
林宏濤
颱灣大學哲學碩士,德國弗來堡大學博士研究。譯作有:《等待哥倫布》、《文明的哲學》、《我的名字叫耶穌》、《神子》、《與改變對話》、《上帝的語言》、《鈴木大拙禪學入門》、《菁英的反叛》、《神話學辭典》、《啟濛的辯證》、《眾生的導師:佛陀》、《人的形象與神的形象》、《神在人間》、《隱藏之泉》、《法學導論》、《美學理論》、《愛在流行》、《南十字星風箏線》、《體會死亡》、《詮釋之衝突》、《藝術想怎樣?》等書。
For over a decade, conceptual and performance art has been dominated by participatory art. Its champions, such as French curator Nicolas Bourriaud (who invented the term "relational aesthetics" to describe it) and American art historian Grant Kester, believe that by encouraging an audience to join in, the artist can promote new emancipatory social relations. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art. The book follows the trajectory of twentieth-century art and examines key moments in the development of the participatory aesthetic, in both Europe and America. This itinerary takes in Futurism, Dada, Situationism, Czechoslovakian Happenings, and Argentinean Conceptualism, and concludes with contemporary artists such as Thomas Hirschhorn, Tania Bruguera and Jeremy Deller. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to expose the political and aesthetic limitations of this work. In Artificial Hells she not only scrutinizes the claims for democracy and emancipation that the artists and critics make for the work, but also questions the turn to ethical (rather than artistic) criteria invited by such participatory and collaborative art.
Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
Artificial Hells 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024