具体描述
A powerful and poetic work of history on the figure of Orpheus: his life and myth, and his representation and imagining from the sixth century BC to the present day.
For at least two and a half millennia, the figure of Orpheus has haunted humanity. Half-man, half-god, musician, magician, theologian, poet and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men.
In this extraordinary work Ann Wroe goes in search of Orpheus, from the forests where he walked and the mountains where he worshipped to the artefacts, texts and philosophies built up round him. She traces the man, and the power he represents, through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and journey to Hades, and his terrible death. We see him tantalising Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalising the Fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death.
作者简介
ANN WROE is the Briefings and Obituaries Editor of the Economist. After taking a degree in History and a doctorate in medieval history (Oxford, 1975) she worked at the BBC World Service, covering French and Italian politics. She joined the Economist in 1976 to cover American politics, and has held the posts of Books and Arts editor (1988-1992) and American editor (1992-2000). She has written five books: Lives, Lies and the Iran-Contra Affair; A Fool and His Money: Life in a Partitioned Medieval Town; Pilate: The Biography of an Invented Man; Perkin: A Story of Deception and Being Shelley: The Poet's Search for Himself. She is a Fellow of the Royal Historical Society and the Royal Society of Literature. She is married with three sons and lives in London.
目录信息
First string: Winter
Second string: Trees
Third string: The Sea
Middle string: Love
Fifth string: Death
Sixth string: Fame
Seventh string: Scattering
Bibliography
Acknowledgements
Index
· · · · · · (收起)
读后感
Orpheus: The Song of Life by Ann Wroe – review Ann Wroe showcases a new kind of writing in this playful and passionate paean to Orpheus By John Banville In Orpheus Ann Wroe has written the biography of a mythic figure – the book is dedicated "to everyon...
评分Orpheus: The Song of Life by Ann Wroe – review Ann Wroe showcases a new kind of writing in this playful and passionate paean to Orpheus By John Banville In Orpheus Ann Wroe has written the biography of a mythic figure – the book is dedicated "to everyon...
评分Orpheus: The Song of Life by Ann Wroe – review Ann Wroe showcases a new kind of writing in this playful and passionate paean to Orpheus By John Banville In Orpheus Ann Wroe has written the biography of a mythic figure – the book is dedicated "to everyon...
评分Orpheus: The Song of Life by Ann Wroe – review Ann Wroe showcases a new kind of writing in this playful and passionate paean to Orpheus By John Banville In Orpheus Ann Wroe has written the biography of a mythic figure – the book is dedicated "to everyon...
评分Orpheus: The Song of Life by Ann Wroe – review Ann Wroe showcases a new kind of writing in this playful and passionate paean to Orpheus By John Banville In Orpheus Ann Wroe has written the biography of a mythic figure – the book is dedicated "to everyon...
用户评价
坦白说，初读这本书时，我一度有些迷失。它的结构像是一张错综复杂的古老挂毯，线索繁多，人物关系晦涩难懂，初看之下，颇有些抓不住重点的茫然感。作者似乎刻意摒弃了传统叙事的清晰脉络，转而采用了一种碎片化、回溯性的手法，将时间线打碎，再由读者自己去拼凑碎片，还原那个完整的故事图景。这种挑战读者的叙事方式，初看或许令人不悦，但一旦你适应了它的韵律，便会发现其中蕴含的巨大张力。每一个看似不经意的对话，每一段突然插入的梦境或历史插叙，最终都会以一种出人意料却又合乎逻辑的方式回归主线，构成一个精密的文学机械。这需要读者付出极大的耐心和专注力，但当所有线索最终汇聚，那种豁然开朗的智力上的愉悦感，是其他流畅易读的小说所无法比拟的。它更像是一部需要反复研读的哲学文本，而非单纯的消遣读物。
评分这本书的开篇就展现出一种难以言喻的沉郁气质，仿佛每一页都浸透着潮湿的泥土和远古的哀歌。叙事节奏缓慢而富有层次，作者似乎并不急于推动情节，而是更专注于营造一种特定的氛围，那种弥漫在字里行间，关于失落与追寻的永恒主题。我尤其欣赏他对细节的捕捉，那些关于光影变幻、微风拂过发梢的描写，都极其细腻，让人仿佛真的置身于那个充满迷雾与宿命感的场景之中。人物的内心挣扎被刻画得入木三分，他们的动机并非简单的好与坏，而是交织着人性的复杂与矛盾，每一次抉择都像是命运的必然，让人在阅读时不禁感到一种深刻的无力感，却又被这种宿命的美学深深吸引。整本书读下来，像是在经历一场漫长而艰辛的朝圣，心灵被洗涤，但留下的印记却是深刻且难以磨灭的。这种文学上的重量感，不是那种故作高深的堆砌词藻，而是源自对生命本质的深刻洞察，每一个意象的选择都恰到好处，达到了形式与内容的完美统一。
评分这本书提供了一种近乎神话学层面的视角来审视现代困境。它没有直接批判时弊，而是通过构建一个高度符号化的世界，将人类面对选择、面对时间流逝的焦虑，提升到一种永恒的维度。书中的世界观是自洽而严密的，充满了古典悲剧的影子，但其内核又深深植根于当代人的精神困境之中——关于身份的迷失、对意义的无望探求。阅读过程中，我不断在不同文化和历史的碎片中进行联想，这并非作者刻意为之，而是其文本密度之高，自然而然引发的联想。它要求读者不仅要读懂故事，还要去理解故事背后的文化土壤和哲学根基。这是一部需要你带着工具书去阅读，并愿意花费大量时间进行自我反思的作品。它不提供简单的答案，它提供的，是一面映照自身灵魂深处幽暗角落的镜子。
评分这本书最让我震撼的，是其对“声音”的独特处理。它不仅仅是文字的堆砌，更像是某种听觉的想象。作者对不同场景的声音氛围的描绘达到了近乎偏执的程度，无论是大厅里回荡的空旷脚步声，还是密林中细微的虫鸣，都仿佛被放大并赋予了象征意义。这种对听觉意象的强调，使得阅读过程不再仅仅是视觉上的输入，而是一种全方位的感官体验。角色之间的交流常常是“未说出口”的部分占据了更大的篇幅，那些被压抑的、沉默的时刻，反而比激烈的辩论更具穿透力。它探讨了语言的局限性，以及在真正的悲剧面前，人类表达能力的贫瘠。我常常需要停下来，合上书本，在寂静中回味那些被文字“描绘”出来的声响，感受那种深入骨髓的孤独感。对于那些追求纯粹文学技巧和感官深度的读者来说，这无疑是一场盛宴。
评分我得承认，这本书的后半部分让我感到有些许的疲惫。虽然前期的铺垫和意境的营造极为出色，但当故事真正进入高潮和最终的摊牌阶段时，叙事的驱动力似乎突然减弱了。似乎作者沉迷于维持那种冷峻、疏离的基调，以至于在需要情感爆发的关键时刻，笔触反而变得过于克制，甚至有些迟疑。这使得结局的冲击力被削弱了，原本可以一泻千里的情感洪流，被层层叠叠的象征性表达所阻碍。这并非说它不够深刻，而是说，在技巧的精湛与情感的释放之间，它似乎更偏向于前者，牺牲了一部分读者的即时共鸣。对于那些期待一个明确、有力的高潮来总结所有悬念和冲突的人来说，这可能会留下一个略显空旷的回响，像是一场盛大的交响乐在最激昂处戛然而止，留下无尽的回味，但也留下了未竟的渴望。
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