Laura Mulvey, Visual Pleasure and Narrative Cinema

Laura Mulvey, Visual Pleasure and Narrative Cinema pdf epub mobi txt 电子书 下载 2025

出版者:GRIN Verlag
作者:Carolina Hein
出品人:
页数:32
译者:
出版时间:2008-6-24
价格:USD 15.90
装帧:Paperback
isbn号码:9783638952750
丛书系列:
图书标签:
  • 电影
  • 女性主义
  • 文化研究
  • 艺术
  • 影视研究
  • 社会学
  • Film
  • 电影研究
  • 女性主义电影理论
  • 视觉文化
  • 叙事电影
  • 观影快感
  • 性别研究
  • 影像分析
  • 批判理论
  • 电影美学
  • 权力结构
  • 文化批判
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Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

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Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...  

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Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

评分

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

评分

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

用户评价

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字字尖利,觉得被揪着脖领必须读下去

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第三部分内容:女人作为影像,男人作为观看的运动者(Bearer)让我想到了《感官世界》:“女性作为为观看的主动控制者——男人的凝视和享乐而被陈列、展示的图像,却经常让男人感受到威胁,经常在他心中唤起它原初所意味的焦虑(指被阉割的焦虑)。个人觉得男性的“被阉割的焦虑”和女性的“阳具崇拜心理”在父权体制语境下同时存在实在是非常有意思的事情。

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我上学期的文学paper居然和这篇论文有几个相似的论点,诚惶诚恐

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算是第一个提出的male gaze的人/书了。当时这个概念仅限于电影学,现在已经延伸到性别学和社会学了。哦对了,换做现在的硅谷,这个叫做 bro-culture~~

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Mansgaze.男性对于阉割的恐惧和人类(实际上是男性的,女性并没有被当作人)自恋导致了对女人客体的恋物癖凝视与折磨倾向,并且电影叙事将男性置于道德高地,完成对父系意识形态的再次合理化。电影院、摄像机,延伸的窥淫。看个电影门道太多了……父权意识形态无处不在。对弗洛伊德的批判依旧适用于对mansgaze这一概念的批判,但我选择接受这套理论。

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