Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
评分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
评分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
评分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
评分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
第三部分内容:女人作为影像,男人作为观看的运动者(Bearer)让我想到了《感官世界》:“女性作为为观看的主动控制者——男人的凝视和享乐而被陈列、展示的图像,却经常让男人感受到威胁,经常在他心中唤起它原初所意味的焦虑(指被阉割的焦虑)。个人觉得男性的“被阉割的焦虑”和女性的“阳具崇拜心理”在父权体制语境下同时存在实在是非常有意思的事情。
评分两种心理机制的矛盾性结构和欲望疏导的幻象;从被看性到景观;划分三种观看结构,以分析传统叙事电影的参与感到先锋电影的真实性的视觉参与变化,后两种观看方式既制造了逼真效果又形成了恋物癖的反视。
评分第三部分内容:女人作为影像,男人作为观看的运动者(Bearer)让我想到了《感官世界》:“女性作为为观看的主动控制者——男人的凝视和享乐而被陈列、展示的图像,却经常让男人感受到威胁,经常在他心中唤起它原初所意味的焦虑(指被阉割的焦虑)。个人觉得男性的“被阉割的焦虑”和女性的“阳具崇拜心理”在父权体制语境下同时存在实在是非常有意思的事情。
评分Women can’t view the decline of traditional film form with anything much more than sentimental regret
评分读过好几回、精神分析这套搁哪都能用得上、尤其好莱坞电影、但这种观看无所不在、追溯到绘画、到梦露的广告、一直以来女性作为被观看的对象被书写被创作、劳拉穆尔维非常有力的证明了艺术创造中的这一潜在利益关系、用坚实的理论做支撑、让人跳脱出好莱坞的叙事圈套。
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