具體描述
讀後感
Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
用戶評價
paper也變成書啦
评分Foundation work with great influence
评分讀完後發現她根本不是馬剋思女性主義，我怎麼覺得是資本主義女性主義呢
评分第三部分內容：女人作為影像，男人作為觀看的運動者（Bearer）讓我想到瞭《感官世界》：“女性作為為觀看的主動控製者——男人的凝視和享樂而被陳列、展示的圖像，卻經常讓男人感受到威脅，經常在他心中喚起它原初所意味的焦慮（指被閹割的焦慮）。個人覺得男性的“被閹割的焦慮”和女性的“陽具崇拜心理”在父權體製語境下同時存在實在是非常有意思的事情。
评分讀過好幾迴、精神分析這套擱哪都能用得上、尤其好萊塢電影、但這種觀看無所不在、追溯到繪畫、到夢露的廣告、一直以來女性作為被觀看的對象被書寫被創作、勞拉穆爾維非常有力的證明瞭藝術創造中的這一潛在利益關係、用堅實的理論做支撐、讓人跳脫齣好萊塢的敘事圈套。
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