Spend even a day in a major Japanese city like Tokyo or Osaka and you won't be able to ignore them: 'idols,' or heavily produced and promoted men and women who perform across media genres and platforms. They appear in magazines and advertisements, perform on TV and on stage, recorded and live. Though central to the workings and experience of media in Japan, idols have unfortunately had only a marginal place in the scholarship. This collection offers the most complete and compelling account of one of the most fascinating and least understood aspects of Japanese media culture today. It brings together a group of interdisciplinary scholars who engage the study of media, gender and celebrity. Sensitive to history and the contemporary scene, essays cover male and female idols, production and consumption, industrial structures and fan movements.
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與其說是比較文學的研究,倒不如說這本書對於我來說是警鍾一樣的存在,它不停地喧囂著:“你不要和她們一樣,你不要産生母親的注視,你不要把他們的內心掏空。”有人說前麵幾章太過cliché,我卻覺得隻有你在這個群體裏真的體會過瞭,你纔會對自己的身份又愛又恨又無能為力。
评分最近又重讀瞭一遍發現沒評分…即使是從學術層麵來看 對男性idol的研究依然沒有對女性idol的研究那麼深入(比如對應akb商法居然說kk…不說sz好歹也得是kt吧)以及寫cp這章的明顯磕的是sk,不知道事到如今還能不能吃這口血糖瞭
评分最近又重讀瞭一遍發現沒評分…即使是從學術層麵來看 對男性idol的研究依然沒有對女性idol的研究那麼深入(比如對應akb商法居然說kk…不說sz好歹也得是kt吧)以及寫cp這章的明顯磕的是sk,不知道事到如今還能不能吃這口血糖瞭
评分補充瞭一些研究語境
评分看到這本書 我想起zyl當年一句話 當你有心做一件事時 老天都好像在幫你的 看到大宮那章時 大宮還好 看完本書後 ......
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