The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished new translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.
具體描述
讀後感
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其實並沒有讀完，大概讀瞭十來個章節，感覺這本書果然還是在我的理解力之外，大量的希臘戲劇術語夾雜在分析中，和尼采後期的格言式論斷有著很大的不同。慚愧之中，放下書捲。
评分其實並沒有讀完，大概讀瞭十來個章節，感覺這本書果然還是在我的理解力之外，大量的希臘戲劇術語夾雜在分析中，和尼采後期的格言式論斷有著很大的不同。慚愧之中，放下書捲。
评分Apollonius & Dionysius
评分沒想到這麼好看
评分沒想到這麼好看
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