Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bla Balzs, Rudolf Arnheim, and Andr Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory.
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我会努力读完的
评分我一定会认真读完并且读懂的握拳!!!!||很棒的书！其实还差一些没有读完...虽然有自相矛盾且赘余又牵强局限的部分，但它仍是一本好书！基本上前半部电影史所发展的理论都有涉及！有没有茅塞顿开的感觉！Kind of XDDD
评分Kracauer是个言之有物的人。He considers surrealist film as an extension of then contemporary art in the traditional sense. Like Wim Wenders, he's obsessed with reality. I really like the part he talks about the street and life as a concept.
评分Kracauer真的是一个super organized的人，从摄影的历史切入讲电影理论，把从摄影到电影对于真实的表现的各个层面整理的条理分明、有理有据。Super organize很多时候也会有种少了一些热情的感觉。不过，Kracauer也有很多细节的、私人的观点，比如他多次提到Proust的描述是多么先锋地提前表达出了摄影和电影才有的独特性，很是有趣～
评分我会努力读完的
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