Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bla Balzs, Rudolf Arnheim, and Andr Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory.
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我一定會認真讀完並且讀懂的握拳!!!!||很棒的書！其實還差一些沒有讀完...雖然有自相矛盾且贅餘又牽強局限的部分，但它仍是一本好書！基本上前半部電影史所發展的理論都有涉及！有沒有茅塞頓開的感覺！Kind of XDDD
评分好喜歡這本書啊真的是1960寫的嗎
评分Kracauer是個言之有物的人。He considers surrealist film as an extension of then contemporary art in the traditional sense. Like Wim Wenders, he's obsessed with reality. I really like the part he talks about the street and life as a concept.
评分我會努力讀完的
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