Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bla Balzs, Rudolf Arnheim, and Andr Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
幾個關鍵詞。
评分"...he went straight to the library and locked himself in. There, reading widely, thinking endlessly, and working always alone...he slowly and painstakingly gave birth to his theory...His book is full of the credits of this kind of detached singlemindedness."
评分Kracauer是個言之有物的人。He considers surrealist film as an extension of then contemporary art in the traditional sense. Like Wim Wenders, he's obsessed with reality. I really like the part he talks about the street and life as a concept.
评分extentialist film theory, film media as reveal the hidden truth of the world, redeem the material physicality within the fragmented, abstract, pro-technological principle
评分extentialist film theory, film media as reveal the hidden truth of the world, redeem the material physicality within the fragmented, abstract, pro-technological principle
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