Ursula K. Le Guin published twenty-two novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. Her recent publications include the novel Lavinia, an essay collection, Cheek by Jowl, and The Wild Girls. She lived in Portland, Oregon.
She was known for her treatment of gender (The Left Hand of Darkness, The Matter of Seggri), political systems (The Telling, The Dispossessed) and difference/otherness in any other form. Her interest in non-Western philosophies was reflected in works such as "Solitude" and The Telling but even more interesting are her imagined societies, often mixing traits extracted from her profound knowledge of anthropology acquired from growing up with her father, the famous anthropologist, Alfred Kroeber. The Hainish Cycle reflects the anthropologist's experience of immersing themselves in new strange cultures since most of their main characters and narrators (Le Guin favoured the first-person narration) are envoys from a humanitarian organization, the Ekumen, sent to investigate or ally themselves with the people of a different world and learn their ways.
Shevek, a brilliant physicist, decides to take action. he will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.
我很好奇竟然有人认为这本书写得是社会主义(共产主义)与资本主义的争论。如果真的是这样的话那这本书连两星都不值。 这本书的成书年代是上世纪七十年代初,正值苏联最强大的年代。而在经历了二十年的高速发展,开展了各种各样的一大堆运动之后,美国社会展开了对社会制度的...
評分太阳底下无新事,可是每个生命,每个个体生命不是新的,他们为什么要诞生? 不确定的乌托邦,这个副标题直观的表达了整本书的印象。勒古恩笔下,第一代奥多主义者自我放逐到了阿纳瑞斯,依靠心中明确的理想与道德,明确了每个人的责任与义务,构架了无政府主义的阿纳瑞斯,那...
評分其实科幻小说,不过是借科幻的壳,讲述对人类的过去、现在、未来的看法。既然自我会在叙述自我中陷入悖论,那就借一面镜子——外星文明来看自己吧。 《被剥夺的:一个不确定的乌托邦》(The Dispossessed:An Ambiguous Utopia) 一直都觉得不负责任的翻译者有谋财害命之嫌。...
評分终于看完了《一无所有》这本书,科幻世界译文版2008年3月,作者是Ursula K.Leguin。我用了好几年去看这本书,断断续续,开始觉得写得好无聊,越到后来越是不想看完,又越是不知疲倦地看下去。越是接近结束,越是贪婪,越是不愿接受再有几页就结束了这一事实。有时候是会遇到这...
評分太阳底下无新事,可是每个生命,每个个体生命不是新的,他们为什么要诞生? 不确定的乌托邦,这个副标题直观的表达了整本书的印象。勒古恩笔下,第一代奥多主义者自我放逐到了阿纳瑞斯,依靠心中明确的理想与道德,明确了每个人的责任与义务,构架了无政府主义的阿纳瑞斯,那...
跟Left Hand of Darkness比,這本差瞭很多。
评分遠遊即歸途。
评分dull and wordy with plain prose,屢次想棄,還是堅持讀完瞭,看不下去的時候就去goodreads上看人吐槽這本書,吐槽都比這書來勁。這不是科幻小說,而是一本披著科幻外皮錶明作者政治立場的小說,所有的角色都是為瞭闡述作者的政治理念而服務,因此顯得非常扁平化,主角的心路曆程可以簡化為:共産主義國傢禁錮我的思想我要去資本主義國傢呼吸新鮮空氣——你們資本主義的propertarian都是騙子你們根本不共産——地球人帶我迴傢,作者關於Anarres的構想還可以,有些論點也挺有趣,但我是來看科幻的,不是看一群人爭論體製利弊的,如果我想瞭解無政府主義社會主義意識形態我為何不去看論文文獻呢?
评分我想成為這本書……OTL
评分不確定的烏托邦
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