The Dispossessed

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Ursula K. Le Guin published twenty-two novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. Her recent publications include the novel Lavinia, an essay collection, Cheek by Jowl, and The Wild Girls. She lived in Portland, Oregon.

She was known for her treatment of gender (The Left Hand of Darkness, The Matter of Seggri), political systems (The Telling, The Dispossessed) and difference/otherness in any other form. Her interest in non-Western philosophies was reflected in works such as "Solitude" and The Telling but even more interesting are her imagined societies, often mixing traits extracted from her profound knowledge of anthropology acquired from growing up with her father, the famous anthropologist, Alfred Kroeber. The Hainish Cycle reflects the anthropologist's experience of immersing themselves in new strange cultures since most of their main characters and narrators (Le Guin favoured the first-person narration) are envoys from a humanitarian organization, the Ekumen, sent to investigate or ally themselves with the people of a different world and learn their ways.

出版者:Eos
作者:Ursula K. Le Guin
出品人:
頁數:400
译者:
出版時間:1994-12-1
價格:USD 7.99
裝幀:Mass Market Paperback
isbn號碼:9780061054884
叢書系列:
圖書標籤:
  • 科幻 
  • 烏托邦反烏托邦 
  • 科幻小說 
  • ursula·le·guin 
  • 小說 
  • Sci-Fi 
  • 厄休拉·勒奎恩 
  • 烏托邦 
  •  
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Shevek, a brilliant physicist, decides to take action. he will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.

具體描述

讀後感

評分

回旋于笔尖的两个世界——关于《一无所有》 小者/文      在写下这篇评论的同时,也为了表达对勒古恩的敬仰。近年来,勒古恩渐渐地取代了特里·普拉切特和亚当斯·亚当斯成为了我心目中最好的科幻作家。      《一无所有》,从文章的副标题说起:“不确定的乌托邦”(A...  

評分

你知道乌托邦的来源吗?我想初中的历史或者政治课上有过介绍英国空想天下大同者莫尔的《乌托邦》,那时候我记得还略代介绍过18世纪三大空想主义者圣西门,傅立叶,欧文。而这都不是最早的,西方最早的要追溯到柏拉图时代,这位伟大的哲学家众多著作中有部很著名的《理想国》,是...  

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“如果不害怕,不逃避,也许人可以升华,发现在痛苦之上还有一种东西存在。挣扎受苦的是人的自我,而在那里(痛苦之上),自我已经不复存在。我不知如何描述,然而我相信——我在挣扎苦痛中才能意识到舒适幸福时不能明白的这个事实——我相信痛苦的真面目并非痛苦。只要你能够...  

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其实也是我全书中最喜欢的片段之一 “完满,谢维克想,是针对时间而言的概念。对感官乐趣的追逐是循环的、重复的,不在时间范畴之内...对刺激...的不同追求只会得到同样的结果...它不是出发和归来,而是一个封闭的循环、一间锁住的屋子,一间牢房。 这间锁住的屋子外...  

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用戶評價

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如果作者不去做價值判斷就好瞭

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……其實不太懂

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"You cannot buy the revolution, you cannot make the revolution, you can only be the revolution. It is in your spirit, or it is nowhere."

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一開始以為是影射美國和蘇聯的,真是太小看勒古恩瞭。是政體討論寓言,也是科幻小說。關鍵詞:wall, possess, dispossess, freedom, circle。有意思的是,作者是西方文化背景,對U星的批判毫不留情,而我在某主義實驗過的地方長大,則對A星抱有深刻的懷疑。當然,U星和A星都是模型和濃縮,不能直接對應。不過我蠻喜歡男主的,他其實很難塑造,因為他是個真正自由的人,不為任何外物possess的人。希望他迴去後沒有被亂石砸死。在勒古恩的小說裏可能不會,在現實中絕對會。神奇的是,我好像看懂瞭書裏的物理學時空理論(其實並沒有)。

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……其實不太懂

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