What We Talk About When We Talk About Love pdf epub mobi txt 电子书 下载 2025
Carver was born into a poverty-stricken family at the tail-end of the Depression. The son of a violent alcoholic, he married at 19, started a series of menial jobs and his own career of 'full-time drinking as a serious pursuit'. A career that would eventually kill him. Constantly struggling to support his wife and family Carver enrolled in a writing programme under author John Gardner in 1958 and he saw this as a turning point.
Rejecting the more experimental fiction of the 60s and 70s, he pioneered a precisionist realism reinventing the American short story during the eighties, heading the line of so-called 'dirty realists' or 'K-mart realists'. Set in trailer parks and shopping malls they are stories of banal lives that turn on a seeminlgy insignificant detail. Carver writes with meticulous economy suddenly bringing a life into focus in a similar way to the paintings of Edward Hopper. As well as a master of the short story he was an accomplished poet publishing several highly acclaimed volumes.
After the 'line of demarcation' in Carver's life - 2 June 1977, the day he stopped drinking - his stories become increasingly more redemptive and expansive. Alcohol had eventually shattered his health, his work and his family - his first marriage effectively ending in 1978. He finally married his long-term parter Tess Gallagher (they met ten years earlier at a writers' conference in Dallas) in Reno less than two months before he eventually lost his fight with cancer.
- Raymond_Carver
- RaymondCarver
- 美国
- 小说
- 短篇
- 英文短篇
- 美国文学
- 美国小说
In his second collection of stories, as in his first, Carver's characters are peripheral people--people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women.
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读后感
作为一个紧跟时代潮流的八卦爱好者，除了坚持收看网易新闻及评论，定期查阅豆瓣流行之外，我一直按时收看江苏台的《非诚勿扰》，某期，一位文艺青年送心仪女生本小说，我猜就是这本。当时我就愕然了，现在文艺青年装逼都开始秀这本书了，简直比45度仰望天空。悲伤逆流成河还令...
评分长篇或中篇小说中总会透露给人种种时代印记、作者寓意的信息，而当面对一篇篇短小精悍的短篇小说时，好像应该谈论些什么，又好像什么都不用谈论只能支吾着：“你看吧，反正是一本不错的小说。” “隐喻”、“新小说”、“寓言式”这一系列的词显得既强加阐释又像是废话...
评分长篇或中篇小说中总会透露给人种种时代印记、作者寓意的信息，而当面对一篇篇短小精悍的短篇小说时，好像应该谈论些什么，又好像什么都不用谈论只能支吾着：“你看吧，反正是一本不错的小说。” “隐喻”、“新小说”、“寓言式”这一系列的词显得既强加阐释又像是废话...
评分现在谈论卡佛已经逐渐有了一种反讽的意味。我们写的评论比他的小说还要长，我们说的话比他笔下的人物的还要多，我们制造了喧嚣评价他的沉默，我们把他的简约看成了流行和时尚，对他背后大半生遭受的困难视而不见。卡佛在中文语境里受到的追捧已经遮蔽了他的小说与现实世界的关...
评分我不敢说我读懂了卡佛，这只是我的一些阅读感受。 我觉得在2010年的一大幸事，就是结识了雷蒙德卡佛和他的文字。我喜欢翻来覆去地随意阅读这个集子里的每个短篇，仿佛顺着漆黑的山洞向前摸索，越往深越会有新的发现。他不像一般作者带领你展示每一件成品，而仅...
用户评价
英文原版的比中文版的好上很多，因为大概只有每个字原来的摸样才能还原本该有的简洁。中文会过于缩略，没有了应该有了读音上的绕口。
评分说不出来的被戳中的感觉
评分想買一本，可封面都太丑了。
评分以前低估了卡佛的小说，这次很慢很慢地读他的小说，突然有好几篇就打动了我。《Viewfinder》、《Sacks》、《The Bath》等等。从他的小说，你会想到身边的人，甚至就是你自己。这么想着，再看自己的生活，处处是小说。但是，从另一面看，他的小说又缺乏多样性，更缺乏一种危险的气息。
评分“Raymond Carver's America is helpless, clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories." "Carver not only enchants, he convinces."
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