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Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music
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简体网页||繁体网页
Anahid Kassabian 作者
Routledge
译者
01 December, 2000 出版日期
208 页数
$24.95 价格
Paperback
丛书系列
9780415928540 图书编码

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 图书标签: 电影配乐   

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发表于2024-10-04

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Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


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Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 著者简介

About the Author

Anahid Kassabian is Assistant Professor of Communication and Media Studies at Fordham University, Chair of the International Association for the Study of Popular Music and Editor of the Journal of Popular Music Studies. She coedited the book Keeping Score: Music, Disciplinarity, Culture (UP of Virginia, 1997) and has written numerous articles and book chapters on popular music, film music and feminist theory.

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 图书目录

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在线电子书 图书描述

Music is one of the central components of a film, arguably as significant as the visual and narrative components, yet few scholars have examined the importance of music in film or constructed a film theory that includes music. Hearing Film offers the first critical examination of music in contemporary films, paying close attention to the role of newly composed scores versus compiled soundtracks and how they condition different kinds of identification processes.

Anahid Kassabian describes and analyzes the differing functions of compiled and composed scores in such films as Dangerous Liaisons, Bagdad Cafe, Dirty Dancing, Thelma and Louise, Lethal Weapon 2, Indiana Jones and the Temple of Doom, Dangerous Minds, and Mississippi Masala. Drawing on issues in film, musicology, popular music studies, media studies, cultural studies, and feminist theory, this interdisciplinary study will influence all future analyses of film music and change the way filmgoers hear and perceive music in film.

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