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Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music
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Anahid Kassabian 作者
Routledge
譯者
01 December, 2000 出版日期
208 頁數
$24.95 價格
Paperback
叢書系列
9780415928540 圖書編碼

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 圖書標籤: 電影配樂   

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Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


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Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 著者簡介

About the Author

Anahid Kassabian is Assistant Professor of Communication and Media Studies at Fordham University, Chair of the International Association for the Study of Popular Music and Editor of the Journal of Popular Music Studies. She coedited the book Keeping Score: Music, Disciplinarity, Culture (UP of Virginia, 1997) and has written numerous articles and book chapters on popular music, film music and feminist theory.

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 著者簡介

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music 在線電子書 圖書描述

Music is one of the central components of a film, arguably as significant as the visual and narrative components, yet few scholars have examined the importance of music in film or constructed a film theory that includes music. Hearing Film offers the first critical examination of music in contemporary films, paying close attention to the role of newly composed scores versus compiled soundtracks and how they condition different kinds of identification processes.

Anahid Kassabian describes and analyzes the differing functions of compiled and composed scores in such films as Dangerous Liaisons, Bagdad Cafe, Dirty Dancing, Thelma and Louise, Lethal Weapon 2, Indiana Jones and the Temple of Doom, Dangerous Minds, and Mississippi Masala. Drawing on issues in film, musicology, popular music studies, media studies, cultural studies, and feminist theory, this interdisciplinary study will influence all future analyses of film music and change the way filmgoers hear and perceive music in film.

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