With this book, Barthes offers a broad-ranging meditation on the culture, society, art, literature, language, and iconography--in short, both the sign-oriented realities and fantasies--of Japan itself. Roland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. With this book, Barthes offers a broad-ranging meditation on the culture, society, art, literature, language, and iconography--in short, both the sign-oriented realities and fantasies--of Japan itself. "If Japan did not exist, Barthes would have had to invent it--not that Japan "does" exist in "Empire of Signs," for Barthes is careful to point out that he is not analyzing the real Japan, there is no terrible "innerness" as in the West, no soul, no God, no fate, no ego, no grandeur, no metaphysics, no 'promotional fever, ' and finally no meaning . . . For Barthes Japan is a test, a challenge to think the unthinkable, a place where meaning is finally banished. Paradise, indeed, for the great student of signs."--Edmund White, "The New York Times Book Review"
繼明室以及戀人絮語之後,這是我閱讀Roland Barthes的第三本書------L'empire des signes。 在閱讀過李佩玲的兩本關於日本設計文化以及美學風格的書籍之後(和風浮世繪、和風賞花幕),或許是激起一種想要更深入去了解日本傳統文化、性格的興趣,不同於大眾比較熟悉,接觸比較...
评分我不得不瞠目法国人吃饱了撑的的功力。 在他看来,饭桌上的盘子是个空间,这种空间“不使用来观赏的,而是用来活动的”。也就是说,盛饭的装置不是用来看的而是用来盛饭和舀饭的…哦!恍然大悟呀... 在他看来,日本人吃饭时“对食物抱着一种无所...
评分原文地址:[http://www.qh505.com/blog/post/5727.html] 正如在男扮女装的演员那里,不可能有任何形容词,谓语也被取消,那不是由于死亡逼近的那种庄严性所致;恰恰相反,那是由于死的意义的空无、作为一种意义的死亡变得空无意义所致。 ——《写出来的面孔》 图片之呈现是具体...
评分繼明室以及戀人絮語之後,這是我閱讀Roland Barthes的第三本書------L'empire des signes。 在閱讀過李佩玲的兩本關於日本設計文化以及美學風格的書籍之後(和風浮世繪、和風賞花幕),或許是激起一種想要更深入去了解日本傳統文化、性格的興趣,不同於大眾比較熟悉,接觸比較...
评分虛化為符號客體的日本,空無難以捉摸的日本。巴特桑筆下(雖隔一層英譯)極具法語表述之抽象特質,好在有具體符號貫連,不致所指無物。跨文化議論可與三島並陳而較,想必有趣。????14-120215
评分玩东方?
评分读了写haiku俳句的部分,哲学家的感知力、构建思维体系的能力确实很可以,但也确实是orientalism的思维方式,以西方人的思维解读东方符号,用misinterpretation的方式回答的是仍然是西方的问题。有了这样的立场后再看这书,只能从惊叹于新奇的他者思维,但无法真正回馈于作为东方文化的语境。
评分很有趣
评分很有趣
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