The Bloody Chamber

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From Wikipedia: Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.

She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She was there at the same time as Roland Barthes, who published his experiences in Empire of Signs (1970).

She then explored the United States, Asia, and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son.

As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and The Magic Toyshop (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Wolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003).

At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives.

Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.

Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer. Her obituary published in The Observer said, "She was the opposite of parochial. Nothing, for her, was outside the pale: she wanted to know about everything and everyone, and every place and every word. She relished life and language hugely, and reveled in the diverse."

出版者:Penguin Books
作者:Angela Carter
出品人:
页数:128
译者:
出版时间:1990-1-1
价格:USD 14.00
装帧:Paperback
isbn号码:9780140178210
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图书标签:
  • AngelaCarter 
  • 英国 
  • 童话 
  • Angela_Carter 
  • 小说 
  • 英国文学 
  • 文学 
  • 性别 
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A reissue of a collection of short stories first published ten years ago. They include "The Company of Wolves", on which the prize-winning film of the same name was based. Angela Carter is the author of "Nights at the Circus" and "The Magic Toyshop". --This text refers to an out of print or unavailable edition of this title.

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《染血之室与其他故事》是卡特于1979年发表的短篇故事集,收录了包括《染血之室》在内的十二篇异色故事。这些故事共同的特点,是同样建立于对经典故事“重写”的基础之上。基于颠覆的架构,书写“本该如此”的真实。      《染血之室》的故事取材自法国民间故事集《...  

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我是个记性很差的人,看了安吉拉的几乎所有的故事,大部分都很喜欢,不过能记住的大部分是零星的碎片:穿着脏礼服的忧郁少女,被小孩的脏手拿着的精致的流着眼泪的玩偶,带有日本风味的叙述等等。然而蓝胡子这个故事我却是罕见的记得前前后后和许许多多的细节。 ...  

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图书馆82年版的错页啊啊啊……黑童话好有爱。

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图书馆82年版的错页啊啊啊……黑童话好有爱。

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安吉拉卡特女性解放视角的童话改编,走的是她一贯的哥特阴郁文风。the erl-king和the company of wolves都写的太美,让人迷醉。改编自《美女与野兽》的the courtship of mr lyon有点不伦不类。

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(1979) R4 The Erl-King, Wolf-Alice, The Tiger's Bride, The Company of Wolves, Vampirella (House of Love)

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文字读起来让人颤抖,但是实在不喜欢这种哥特风的玩意

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