The Bloody Chamber

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From Wikipedia: Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.

She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She was there at the same time as Roland Barthes, who published his experiences in Empire of Signs (1970).

She then explored the United States, Asia, and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son.

As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and The Magic Toyshop (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Wolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003).

At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives.

Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.

Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer. Her obituary published in The Observer said, "She was the opposite of parochial. Nothing, for her, was outside the pale: she wanted to know about everything and everyone, and every place and every word. She relished life and language hugely, and reveled in the diverse."

出版者:Penguin Books
作者:Angela Carter
出品人:
頁數:128
译者:
出版時間:1990-1-1
價格:USD 14.00
裝幀:Paperback
isbn號碼:9780140178210
叢書系列:
圖書標籤:
  • AngelaCarter 
  • 英國 
  • 童話 
  • Angela_Carter 
  • 小說 
  • 英國文學 
  • 文學 
  • 性彆 
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A reissue of a collection of short stories first published ten years ago. They include "The Company of Wolves", on which the prize-winning film of the same name was based. Angela Carter is the author of "Nights at the Circus" and "The Magic Toyshop". --This text refers to an out of print or unavailable edition of this title.

具體描述

讀後感

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我是个记性很差的人,看了安吉拉的几乎所有的故事,大部分都很喜欢,不过能记住的大部分是零星的碎片:穿着脏礼服的忧郁少女,被小孩的脏手拿着的精致的流着眼泪的玩偶,带有日本风味的叙述等等。然而蓝胡子这个故事我却是罕见的记得前前后后和许许多多的细节。 ...  

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▲《老虎新娘》 有些书评将本文理解为“野兽与美女的恋爱”,可能安吉拉·卡特本人也是出于这种写作目的,但是我希望从另一个角度发掘它的象征义(因为实在太贴切了)—— 野兽——原始欲望,宫殿——原始欲望的保护膜(排外), 父亲——贪婪且不知反省灵魂劣质的人...  

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单单从履历表上来看,这位名叫安吉拉•卡特的英国女人——在国内读者中间还很陌生的名字——已经可以被看做是一位“现象级”的作家了。尽管在51岁时便罹患癌症早早辞世,但通过她完成的九部长篇和四十余篇短篇故事,我们分明可以看到一个特立独行的“文本世界”正在构建。它...  

用戶評價

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Faerie tales turned into urban Gothics. Words coated with overflowing beauty. I am mesmerised... though I do feel the magic lies only in those layers of antique locutions.

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少一星給女權主義。。。。其實還不夠重口味

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暫時就看瞭bloody chamber這一個故事 語言上有難度

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Very enjoyable. I wouldn't call them a "dark interpretation" of the original stories, because fairy tales are always very, very dark. But sh

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安吉拉卡特女性解放視角的童話改編,走的是她一貫的哥特陰鬱文風。the erl-king和the company of wolves都寫的太美,讓人迷醉。改編自《美女與野獸》的the courtship of mr lyon有點不倫不類。

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