Making Meaning 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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David Bordwell 作者

Harvard University Press

译者

1991-10-1 出版日期

352 页数

USD 44.50 价格

Paperback

丛书系列

9780674543362 图书编码

Making Meaning 在线电子书图书标签: 电影理论 David_Bordwell 电影研究电影 DavidBordwell 美国有關電影影事

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发表于2024-05-06

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Making Meaning 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Making Meaning 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Making Meaning 在线电子书用户评价

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这本和Narration那本一起组成Bordwell的cognitive theory，或者说更是一个paradigm or system. Narration是讲comprehension，这本是讲interpretation. 实在无法否定Bordwell建立一个庞大系统的能力，而且是抓住一个之前的理论都没有好好讨论过的部分，真真让我想到“滴水不漏”这个词。当然批评与质疑也是大把，很多也是犀利有趣；Bordwell虽然在叙述中还是有各种模糊，但就是站稳了viewer的active process和making meaning的基点，可以批评但很难推翻他。

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这本可以视作Bordwell整个学术版图的枢纽，其问题意识是anti-interpretation（本书极其细致地梳理了70年代以降的后结构主义世代下的电影解读的conceptual structures）；最后一章价值极大，（再次）提出“电影诗学”作为alternative choice（一方面是从电影的appearacne角度来关注组合与效果问题，恢复对感觉的重视；另一方面是历史诗学），大致说来，电影诗学的关怀所在是cinematic perception（对viewer而言），而形式和风格研究则是主要路径。Bordwell其他几本重要著作（Poetics of Cinema，Narration of Fiction Film）都可视为此框架内的深化研究。

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Making Meaning 在线电子书著者简介

大卫·波德维尔，美国当代电影理论家、电影史家，威斯康辛-麦迪逊大学传播学院电影研究雅克·勒杜（Jacques Ledoux）讲席教授，研究领域涵盖电影理论、电影批评、电影史等多个方面，主要学术著作有《世界电影史》《电影艺术：形式与风格》《制造电影的意义：对电影解方式的反思》《后理论：重建电影研究》《电影诗学》等，被翻译成多种语言文字，影响遍及世界各地。

Making Meaning 在线电子书图书目录

Making Meaning 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Making Meaning 在线电子书图书描述

David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such "Making Meaning" should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

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