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Roland Barthes (November 12, 1915 – March 25, 1980) was a French literary critic, literary and social theorist, philosopher and semiotician.
- RolandBarthes
- 哲学
- Barthes
- 罗兰·巴特
- 文化研究
- Roland_Barthes
- 文化
- mythology
"[Mythologies] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to their consumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. Mythologies finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said
This text refers to the Paperback edition.
具体描述
读后感
罗兰·巴特的神话学充满了奇想色彩。这种感觉在科塔萨尔那些充满神经质的短篇小说以及莎士比亚那部“豆花、蛛网、芥子”都陷入狂欢的喜剧《仲夏夜之梦》中也能找到。巴特也许并不想创立某种垂范于世的理论模型，毕竟“尔曹身与名俱灭”，他要的，更接近于在疯狂的智力游戏中，...
评分用户评价
很好的理论，好难的词汇。。。
评分+1: Myth of the Left
评分Myth Today. The signifier of myth at first has a sensory reality with its richness in it. When it becomes form, it empties itself and calls for a signification to refill it. As a second-order semiological system and depoliticized speech, myth not only distorts and naturalizes the concept, but also simplifies human acts and generates metalanguage.
评分Early Barthes
评分Myth Today. The signifier of myth at first has a sensory reality with its richness in it. When it becomes form, it empties itself and calls for a signification to refill it. As a second-order semiological system and depoliticized speech, myth not only distorts and naturalizes the concept, but also simplifies human acts and generates metalanguage.
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