"[Mythologies] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to their consumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. Mythologies finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said
This text refers to the Paperback edition.
Roland Barthes (November 12, 1915 – March 25, 1980) was a French literary critic, literary and social theorist, philosopher and semiotician.
【按】看了些解读巴特的文字,觉得这篇简单的解读文字也有必要贴出来,供大家批判。兼听则明。 该文收于:《文化与诗学》,第13卷,北京大学出版社,2011年版。 “神话学”:符号学分析与意识形态批判 ‘Mythology’: Semiological Analysis and Ideological Critique 摘...
评分还是喜欢他老年的恋人絮语,少了现代主义文学的无法弯曲的思维。神话修辞术,批判,批判,后现代的鲁迅。对社会上的偶像崇拜和扫盲工作做了很多的贡献。 “《写作的零度》(1953)、《神话》(1957)、《符号学基础》(1965)、《批评与真理》(1966)、《S/Z》(1970)、《文本的...
评分 评分 评分妈逼。打扰了。
评分浓浓的时代气息。Myth在巴特看来是这么危险的东西,但他最终也承认the best weapon against myth is to produce an artificial myth. 其实所有的myth都是aritificial myth,那么myth当然可以为我所用。
评分随手翻翻
评分Myth Today. The signifier of myth at first has a sensory reality with its richness in it. When it becomes form, it empties itself and calls for a signification to refill it. As a second-order semiological system and depoliticized speech, myth not only distorts and naturalizes the concept, but also simplifies human acts and generates metalanguage.
评分Myth Today. The signifier of myth at first has a sensory reality with its richness in it. When it becomes form, it empties itself and calls for a signification to refill it. As a second-order semiological system and depoliticized speech, myth not only distorts and naturalizes the concept, but also simplifies human acts and generates metalanguage.
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