The Voice in Cinema 在线电子书 图书标签: Michel_Chion 电影声音 电影理论 电影 电影研究 MichelChion 电影声音及声音文化 音乐
发表于2024-11-07
The Voice in Cinema 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
除了用太多Psychoanalysis來證明他所觀察的結果以外都很好。
评分acoustic: difference between life theater & ciniema
评分de-acousmatization as strip-tease tho??
评分de-acousmatization as strip-tease tho??
评分de-acousmatization as strip-tease tho??
作者是法国最牛的电影音乐研究学者之一。
How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brilliant essay, Michel Chion, internationally cited authority on the history and poetics of film sound, examines the human voice in cinema. The Voice in Cinema begins with the phenomenon of film's hidden, faceless voices and their magical powers, particularly in the context of Lang's Testament of Dr. Mabuse. Chion then explores subjective voices, bonding and entrapment by telephone, voice-thieves, screams (male and female), siren calls, and the silence of mute characters-all uniquely cinematic deployments. In conclusion, Chion considers "the monstrous marriage of the filmed voice and body" as embodied in Norman Bates. Claudia Gorbman's fluent translation retains Chion's sophisticated and accessible style, introducing readers to a distinct and paradigm-changing voice on film.
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The Voice in Cinema 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024