Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.
As a comics writer, Moore is notable for being one of the first writers to apply literary and formalist sensibilities to the mainstream of the medium. As well as including challenging subject matter and adult themes, he brings a wide range of influences to his work, from the literary–authors such as William S. Burroughs, Thomas Pynchon, Robert Anton Wilson and Iain Sinclair; New Wave science fiction writers such as Michael Moorcock; horror writers such as Clive Barker; to the cinematic–filmmakers such as Nicolas Roeg. Influences within comics include Will Eisner, Harvey Kurtzman, Jack Kirby and Bryan Talbot.
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
刻画了 冷战背景下,守望末世的超级英雄图鉴。面对冷漠无情的人群,肮脏丑恶的社会,一触即发的核子战争,拥有不同能力、性格、世界观的守望者们,做出了不同的回答。笑匠的玩世不恭与罗夏的嫉恶如仇遥相呼应,曼哈顿博士超脱时空的无为宇宙观,与法老王的冷酷野心、雷霆手段相...
评分 评分先是上个月夕曦和我谈到《超人.钢铁之躯》的导演扎克.施奈德,语带兴奋地说到此君曾导《守望者》,理所当然得孤陋无匹的我当然不知道这部电影,还误以为他在说着“麦田里的”。然后他甚惋惜地极力向我推荐这部,又再度向我保证我一定会爱上这部电影的原著漫画《Watchmen》...
评分写得太精彩了,想了一会,决定还是转载过来,目的是也许能够又潜在的读者喜欢上这个漫画 原文:http://winteronmars.blogbus.com/logs/8103531.html 看完阿兰·摩尔大神的漫画Watchmen,正好是午夜过一分钟。漫画每一话末页上都有的世界末日倒计时,到了最后一话,指针正好也...
评分故事无敌。叙事手法无敌。
评分壮哉,手表侠!
评分很奇怪原著和电影评分差这么多,两者甚至连许多分镜都一样(区别是电影的《黑船传奇》要在导演最终剪辑版中才有。风格就是绝望,绝望到我连阿妈都不认识了),是我最喜欢的科幻电影。
评分壮哉,手表侠!
评分虚无主义者真惨,量子物理学美归美,但是还是研究佛学比较好。
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