The major transformations in the philosophy of history and in aesthetics in late eighteenth- and early nineteenth-century Germany played an important part in the development of the subsequent historiography of art. This is the first extensive critical account of the work of the figures of that era who made the fundamental contributions to the field - Semper, Riegel, Wolfflin, Warburg, and Panofsky. A perceptive and fascinating introduction for the student of history and aesthetics.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
Podro's old and new testaments of modern German art history
评分當年去蹭課長草後購得
评分德國藝術史學史。但從標題上看可以理解作者把更多篇幅給瞭維也納學派那幾個人。good book to kick off the ( probably life long) systematic study project of German art history ????
评分德國藝術史學史。但從標題上看可以理解作者把更多篇幅給瞭維也納學派那幾個人。good book to kick off the ( probably life long) systematic study project of German art history ????
评分不應該說是“藝術史學”史，而更像是藝術理論之曆史觀之史。僅讀瞭下各章introduction
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