Pygmalion and Major Barbara 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Pygmalion and Major Barbara

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George Bernard Shaw 作者
Bantam Classics
译者
1992-7-1 出版日期
336 页数
USD 9.95 价格
Paperback
丛书系列
9780553214086 图书编码

Pygmalion and Major Barbara 在线电子书 图书标签: GeorgeBernardShaw  戏剧  肖伯纳  经典  英文原版  文学  小说  Drama   


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发表于2024-11-23


Pygmalion and Major Barbara 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Pygmalion and Major Barbara 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Pygmalion and Major Barbara 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Pygmalion and Major Barbara 在线电子书 用户评价

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Pygmalion比较有趣 major Barbara 里的人物太不可爱了 萧伯纳的前记看不懂

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本来想打5星的啊!结局理解说明书好碍事,虽说是“反浪漫”戏剧,也不用这样啊。。。。。个人感觉剧本中的Higgins要比窈窕淑女里面的那位多一点个人魅力,Eliza的老爸在也是确确实实的妙语连珠啊!Aaaaawoooo~

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比起Pygmalion更喜欢Major Babara。比起探讨感情,更喜欢探讨金钱???? ????

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皮革马利翁比芭芭拉上校有趣。哈哈。

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本来想打5星的啊!结局理解说明书好碍事,虽说是“反浪漫”戏剧,也不用这样啊。。。。。个人感觉剧本中的Higgins要比窈窕淑女里面的那位多一点个人魅力,Eliza的老爸在也是确确实实的妙语连珠啊!Aaaaawoooo~

Pygmalion and Major Barbara 在线电子书 著者简介

George Bernard Shaw (/ˈdʒɔːrdʒ ˈbɜːrˌnərd ʃɔː/;[1] 26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic and polemicist whose influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra.

Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian gradualism and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours including the Order of Merit in 1946.

Since Shaw's death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among British dramatists; analysts recognise his extensive influence on generations of English-language playwrights. The word "Shavian" has entered the language as encapsulating Shaw's ideas and his means of expressing them.


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Pygmalion and Major Barbara 在线电子书 图书描述

George Bernard Shaw was the greatest British dramatist after Shakespeare, a satirist equal to Jonathan Swift, and a playwright whose most profound gift was his ability to make audiences think by provoking them to laughter.

In one of his best-loved plays, Pygmalion, which later became the basis for the musical My Fair Lady, Shaw compels the audience to see the utter absurdity and hypocrisy of class distinction when Professor Henry Higgins wagers that he can transform a common flower girl into a lady—and then pass her off as a duchess—simply by changing her speech and manners.

In Major Barbara Shaw spins out the drama of an eccentric millionaire, a romantic poet, and a misguided savior of souls, Major Barbara herself, in a topsy-turvy masterpiece of sophisticated banter and urbane humor. His brilliant dialogue, combined with his use of paradox and socialist theory, never fails to tickle, entertain—and challenge.

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