Book Description
The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
This novel is a tale of extraordinary events, tragedy, horror, pathos, humour and a gallery of minor characters. The portrait of the hideous musician, crazed by his extreme ugliness, shows compassionate insight into the criminally insane mind.
From Publishers Weekly
Gaston Leroux's famous gothic novel of intrigue and romance beneath the Paris Opera House has spawned a number of spinoffs; this storybook adaptation is not among the more felicitous. It tells, of course, of the beautiful opera singer Christine and the choice she must make between the disfigured Phantom, who taught her her craft, and the Viscount she has long loved. Leroux's is an intricate and complex story; here, it is given a summarized, reductive treatment. Characters and their motivations are scantily developed; the prose has a rushed, breathless quality that is overly melodramatic even for its subject; and, as presented, many specifics of the plot, as well as its eventual resolution and meaning, seem likely to leave children bewildered. The illustrations are stylized and garishly colored; they do not help to explicate the text nor do they make it inviting to the picture-book audience. No ages given.
From Independent Publisher
This children's version of The Phantom of the Opera may be of special interest to those adults fortunate enough to have seen the Broadway smash hit of the same name. Those attending will be uniquely qualified to compare the picture book to the musical production. Both works are based on Gaston Leroux's novel of 1911, as were several earlier film adaptations. For the majority of readers, those who have not seen the stage production, the book must be judged on its own merit whether or not it succeeds as a children's story. Author Peter Neumeyer admits that distilling the essence of this 300-page novel into a fairy tale was not easy. He has concentrated on the more dramatic scenes: the falling chandelier; the descent of the Viscount and the Persian into the dismal cellars of the Paris Opera House with all their horrors; and the conclusion, in which the tears of the Phantom and the heroine, Christine, mingle. Some may say the story is too sophisticated for young children, but it is no more so than some versions of Beauty and the Beast. The language used is that of a classic fairy tale. Don Weller's wonderfully flamboyant color illustrations, falling somewhere between great art and cartoons, add immensely to the book. 'Me interplay between text and illustration makes for a perfect format and a visual treat. Recommended for children of all ages--~'and their parents."
From the Inside Flap
In 1910, the mystery novelist Gaston Leroux, working from scraps of history, theatrical lore, and his own fertile imagination, created a masterpiece in Le fant?me de l'opéra, the story of a disfigured composer who lives in the labyrinthine depths of the Paris Opera. After the breathtaking debut of Christine Daaé, the whispers of an Opera ghost seem to become reality as the young singer vanishes. As the Phantom strikes again and again, targeting foes from a jealous diva to a romantic rival, Leroux spins a thriller of obsession and violence with, at its center, a tormented murderer who awakens our deepest fears and sympathies. The inspiration for Andrew Lloyd Webber's long-running musical, Leroux's novel is still more riveting than anything Broadway could produce.
Book Dimension :
length: (cm)19.8 width:(cm)12.6
卡斯顿·勒胡(Gaston Leroux, 1868-1927),20世纪初期法国最杰出的推理小说作家,在法国有“永恒的记者”之称。勒胡毕业后在一家律师事务所做书记员,业余创作随笔和短篇小说。1890年开始投身报业,曾作为特派记者周游世界各地。1900年开始创作长篇小说。他的小说风格诡异,擅长以不可思议的内容与场景营造恐怖玄异的气氛,并且在恐怖中淋漓尽致地表达人性。他的著作《黄色房间之谜》被称誉为“不可模仿、不可超越的推理小说杰作”。
搜狐博客 > 水流云在 > 日志 > 喜欢看 2008-12-28 | 我的歌剧魅影 标签: 歌剧魅影 歌剧院的幽灵 克里斯汀 韦伯 最早接触《歌剧魅影》,是从莎拉布莱曼的歌开始。她的前夫天才韦伯写的歌首首动人心魄,尤其是《歌剧魅影》里的《The Phantom of the Opera》,高亢的男声...
评分天才埃里克不是那种用三俩句话就说得清他那复杂背景的人物,这个神秘的家伙总出手阔绰,彬彬有礼,歌剧院里没人不知道他,却又没人真正了解他。相传埃里克早年游历列国,学得不少古怪的手艺,他的声音天籁般动听,曾经是苏丹王宫里的宠臣,但他显然是厌倦了那种生活,...
评分从Majestic Theater回来后就一直很想收音频以及把原著读一遍。 从现场音乐剧,到25周年纪念版,到各个版本的the Phantom of Opera选段比较,到2004电影版,再到原著,虽然时间线上其实不太符合,但原著用的是考据的写法,这样的顺序歪打正着倒很合适。 本以为关于关于歌剧魅...
评分 评分三天看完了《歌剧魅影》,在工作时期,在某个慵懒的午后,用我的手机看完了这部小说。在开始看之前就已经有些预兆,我的自觉告诉我,这会是一部奇幻的书,情节上肯定不会输,肯定不是那种三流的言情小说,以用来赚取读者的眼泪。只是书中也是以一条主线展开,那就是爱情。 子爵...
让我印象最深刻的是书中对“美与丑的哲学思辨”。作者似乎在不断地拷问读者:真正的“面具”是什么?是遮盖在脸上的那层皮囊,还是包裹在华丽外表下腐朽的灵魂?歌剧院本身就是一个巨大的隐喻,一半是光彩夺目的舞台,一半是尘封已久的地下世界。那些生活在聚光灯下的艺术家们,他们的内心是否比那个被社会排斥的“怪物”更加扭曲和丑陋?书中的对比手法运用得极其大胆和尖锐。那些表面光鲜亮丽的人物,往往在道德上有诸多瑕疵;而那个被冠以“幽灵”之名的存在,却展现出了对纯粹艺术最执着的忠诚与热忱。这种对传统道德观的颠覆和挑战,使得整部作品的思想深度远远超出了一个简单的爱情或悬疑故事的范畴,它迫使我们重新审视自己对“完美”和“异类”的定义。
评分这部作品的叙事节奏简直是教科书级别的!开篇的悬念设置得恰到好处,让我立刻被那种笼罩在宏伟歌剧院上空的神秘气息所吸引。作者对于环境的描绘细致入微,无论是华丽的包厢,还是幽深阴暗的地下水道,都仿佛触手可及。你完全能感受到那种巴洛克式的奢靡与潜藏其中的压抑感。情节推进虽然缓慢,但每一步都充满了张力,每一次幕布的拉开,每一次突如其来的失误,都让人心悬一线,猜测着幕后黑手的身份和动机。我尤其欣赏作者如何巧妙地平衡了舞台艺术的辉煌与人性深处的阴暗面。那些关于艺术的探讨,关于天才与畸形的辩证关系,绝非简单的脸谱化处理,而是深入到了角色的灵魂深处,让人在为那些宏大的歌剧场面喝彩的同时,也不禁为那些边缘人物的悲剧命运感到唏嘘。整本书读下来,就像是经历了一场浸入式的感官盛宴,听觉、视觉乃至心理层面都受到了极大的冲击,那种对完美艺术的极致追求与为之付出的沉重代价,留给读者的回味是悠长而复杂的。
评分从文学手法上来看,这部作品的语言风格变化多端,极富表现力,读起来完全不枯燥。时而,它的笔触是冷峻而疏离的,用一种近乎新闻报道式的客观去描摹那些令人不安的事件;而转眼间,笔锋又变得极其浪漫和抒情,特别是在描述音乐和舞台表演的段落,简直是文字版的交响乐,充满了韵律感和画面感,让人恨不得立刻去寻找那个剧目的录音来对照。这种在冷静的客观叙述和炽热的主观渲染之间流畅切换的能力,显示了作者极高的驾驭文字的功力。特别是当气氛变得紧张时,句子会变得短促有力,如同心跳加速,有效地放大了读者的焦虑感。这种对不同情绪运用不同语体的娴熟掌控,使得阅读体验层层递进,精彩纷呈,绝非一成不变的流水账式叙述可以比拟。
评分老实说,这本书最让我着迷的是它对情感刻画的深度,那种近乎病态的迷恋与强烈的占有欲,被刻画得淋漓尽致,令人不寒而栗却又难以抗拒。主角之间的情感纠葛复杂得像一张密不透风的网,每个人都有自己的秘密,自己的执念。你看着女主角在两个截然不同的世界中挣扎——一个是世俗的赞美与爱慕,另一个则是深渊中来自那个“幽灵”的炽热而扭曲的关注。这种三角关系的处理非常高明,它探讨了“爱”的多种面貌:有光明正大的吸引,也有黑暗中滋生的、令人窒息的依恋。书中对人物内心独白的描写尤其精彩,那种自我矛盾、被欲望驱使却又渴望救赎的心理活动,让角色的立体感跃升到了一个新的高度。每次当我觉得自己已经看穿了谁的真实意图时,作者总能抛出一个新的细节,将我彻底打入迷雾之中。这种情感上的博弈,远比单纯的阴谋诡计来得更扣人心弦。
评分这本书的结构设计简直鬼斧神工,叙事线索交织得如同精密的钟表齿轮,每一个小小的细节,看似是无关紧要的侧写,最终都会在关键时刻发挥出决定性的作用。我花了相当多的时间去梳理那些散落在各处的线索,特别是关于历史背景和建筑传说的那些晦涩的描述,它们不仅仅是背景填充,更是揭示真相的钥匙。作者似乎很享受这种“引导读者解谜”的过程,他不会直接把答案砸在你脸上,而是通过日记、信件、老旧的档案记录等碎片化的信息,构建出一个宏大而缜密的叙事迷宫。读到后半部分,当那些看似不相干的情节突然汇聚在一起,形成一个完整而令人震惊的画面时,那种豁然开朗的震撼感,是阅读其他作品难以比拟的。这不仅是一部关于歌剧的故事,更是一次对“真相隐藏之术”的精彩演示。
评分唉,MY LOVE ERIK
评分小说比那部电影精彩太多了。
评分唉,MY LOVE ERIK
评分小说比那部电影精彩太多了。
评分小说比那部电影精彩太多了。
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