Moby-Dick

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Hershel Parker is an editor of The Norton Anthology of American Literature, and of the Norton Critical Edition of Melville's The Confidence-Man. He is co-editor of the multi-volume The Writings of Herman Melville (Northwestern-Newberry). Harrison Hayford is co-editor of the multi-volume The Writings of Herman Melville (Northwestern-Newberry), and editor of the Library of America Melville, in addition to many other works.

出版者:W. W. Norton & Company
作者:Herman Melville
出品人:
页数:752
译者:
出版时间:2001-10
价格:GBP 7.95
装帧:Paperback
isbn号码:9780393972832
丛书系列:
图书标签:
  • 美国文学 
  • Melville 
  • 小说 
  • 文学 
  • 英文原版 
  • 美国 
  • 英文小说 
  • HermanMelville 
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For this Sesquicentennial Norton Critical Edition, the Northwestern-Newberry text of Moby-Dick has been generously footnoted to include dozens of biographical discoveries, mainly from Hershel Parker's work on his two-volume biography of Melville. A section of "Whaling and Whalecraft" features prose and graphics by John B. Putnam, a sample of contemporary whaling engravings, as well as, new to this edition, an engraving of Tupai Cupa, the real-life inspiration for the character of Queequeg. Evoking Melville's fascination with the fluidity of categories like savagery and civilization, the image of Tupai Cupa fittingly introduces "Before Moby-Dick: International Controversy over Melville," a new section that documents the ferocity of religions, political, and sexual hostility toward Melville in reaction to his early books, beginning with Typee in 1846. The image of Tupai Cupa also evokes Melville's interest in the mystery of self-identity and the possibility of knowing another person's "queenly personality" (Chapter 119). That theme (focused on Melville, Ishmael, and Ahab) is pursued in "A Handful of Critical Challenges," from Walter E. Bezanson's classic centennial study through Harrison Hayford's meditation on "Loomings" and recent essays by Camille Paglia and John Wenke. In "Reviews and Letters by Melville," a letter has been redated and a wealth of new biographical material has been added to the footnotes, notably to Melville's "Hawthorne and His Mosses." "Analogues and Sources" retains classic pieces by J. N. Reynolds and Owen Chase, as well as new findings by Geoffrey Sanborn and Steven Olsen-Smith. "Reviews of Moby-Dick" emphasizes the ongoing religious hostility toward Melville and highlights new discoveries, such as the first-known Scottish review of The Whale. "Posthumous Praise and the Melville Revival: 1893-1927" collects belated, enthusiastic praise up through that of William Faulkner. "Biographical Cross-Light" is Hershel Parker's somber look at what writing Moby-Dick cost Melville and his family. From Foreword through Selected Bibliography, this Sesquicentennial Norton Critical Edition is uniquely valuable as the most up-to-date and comprehensive documentary source for study of Moby-Dick.

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(首发于个人公众号weimustudy) 航海小说大概是我最不喜欢的小说题材之一。我不知道出海捕鱼的故事能写出什么新意,这个题材似乎早已被当代作家抛弃,正像这个职业在今天已被边缘化。大海上的旅程过于漫长而单调,非航海爱好者几乎不可能会觉得有趣。另外,船上都是男人,船下...  

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在这片神秘的场域之上,我们捕获并解剖世界的架构、将它公然晾干并以之为序,但我们所及之物也止于架构而无涉世界之核。这核于世界而言是秩序,同时亦是无度;于你而言是命运,并终于化归死亡。在你扑入它的维度的一刻(却无时无刻不在它的维度中),你已出离原在之所(迈向原...  

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船长亚哈应该是气疯了。 在现代文明社会里,我们已经学会为自己开脱了。不像以前,有点自然现象,或者意外发生,总觉得是上苍降怒于生灵。我们这里会祈雨,外国人会祷告,核心应该都差不多,大概就是我们会乖乖听话,请老天收了灵通吧。 如果老天不收呢? 在现代社会,我们摸索...  

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船长亚哈应该是气疯了。 在现代文明社会里,我们已经学会为自己开脱了。不像以前,有点自然现象,或者意外发生,总觉得是上苍降怒于生灵。我们这里会祈雨,外国人会祷告,核心应该都差不多,大概就是我们会乖乖听话,请老天收了灵通吧。 如果老天不收呢? 在现代社会,我们摸索...  

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每个人心中都有一个莫比迪克,一个恐惧却又想对人证明自己能征服的对象,而这个莫比迪克始终是无敌的,因为它压根没有把谁当做敌人,它被冒犯而咬掉亚哈的腿,这也并不是出于什么情感因素,只不过是动物的一种本能反应而已。亚哈愣是赋予了它感情因素,仇恨情节,似乎是莫...  

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150周年纪念版的context部分还收入了John Putnam的捕鲸船图解说明以及描绘故事情节的雕版画,另外还附航海术语词汇表。小说用典极多,觉得要真正领会还需要读好几遍。。。。

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End of a long pilgrimage

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End of a long pilgrimage

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我知道这本书很"伟大",也很喜欢其中一些很诗意的片段,但我必须要说,我更中意十九世纪英国文学的原因就是因为他们也在质疑信仰,科学,重构史诗,而且在做这些的同时,依然延续了英文文学固有的优雅,高贵和美好。我感觉我很长时间不会想读这本书,而且它也坚定了我要做一个Victorianist的决心

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白鲸之白|梅尔维尔对于传统单一知识结构的反叛,对于文学传统结构的parody和挑战都可以在这一章看出。

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