The sophistication of the photographic process has had two dramatic results―freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., elaborates in Prints and Visual Communication, a history of printmaking from the crudest wood block, through engraving and lithography, to Talbot's discovery of the negative-positive photographic process and its far reaching consequences.
具體描述
讀後感
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評分
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用戶評價
實在是很難習慣這種早期美式positivist腔調。。。。
评分實在是很難習慣這種早期美式positivist腔調。。。。
评分Ivins的遺作，自Met退休後希望能夠打破學科界限，開拓新研究框架，頗具野心的一部著作。作者自稱寫作時脫離其他reference一氣嗬成，讀來也十分暢快，雖然書中部分觀點稍有牽強。
评分repeatable pictorials statements and syntax
评分用五天時間讀五百年的版畫史，還有什麼比這個效率更高的認知過程？
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