Pamela H. Smith is professor of history at Columbia University. She is the author of The Business of Alchemy: Science and Culture in the Holy Roman Empire and coeditor of Merchants and Marvels: Commerce, Science, and Art in Early Modern Europe.
In "The Body of the Artisan", Pamela H. Smith demonstrates how much early modern science owed to an unlikely source: artists and artisans. Goldsmiths, locksmiths, carpenters, and painters were all sought after by early scientists for their intimate, hands-on knowledge of natural materials, as well as their ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe, and including nearly 200 images of artisans' objects alongside their writings, "The Body of the Artisan" convincingly demonstrates that artisans viewed knowledge as throughly rooted in matter and nature. "The Body of the Artisan" provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, recovering a forgotten episode of the Scientific Revolution - an episode that forever altered the way we see the natural world, and science too.
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標記這本書的時候發現常用標簽居然大多是藝術史,其實作者最主要的貢獻還是在近代早期科技史領域。在跟Pamala Smith教授談起工匠與科學革命的問題時,她說,我確實在這本書裏討論瞭很多藝術方麵的問題,所以我不清楚彆人是否明白瞭我真正的意圖是什麼。不過話說迴來,在前近代技術史的研究中,技術與藝術總是密不可分的。
评分標記這本書的時候發現常用標簽居然大多是藝術史,其實作者最主要的貢獻還是在近代早期科技史領域。在跟Pamala Smith教授談起工匠與科學革命的問題時,她說,我確實在這本書裏討論瞭很多藝術方麵的問題,所以我不清楚彆人是否明白瞭我真正的意圖是什麼。不過話說迴來,在前近代技術史的研究中,技術與藝術總是密不可分的。
评分我覺得本書的高光部分在於將artisanal knowledge看為一種experiment。但是不明白為什麼要扯那麼多artisanal相關的social status和political background相關的問題,chapter one過於冗長。
评分我覺得本書的高光部分在於將artisanal knowledge看為一種experiment。但是不明白為什麼要扯那麼多artisanal相關的social status和political background相關的問題,chapter one過於冗長。
评分我覺得本書的高光部分在於將artisanal knowledge看為一種experiment。但是不明白為什麼要扯那麼多artisanal相關的social status和political background相關的問題,chapter one過於冗長。
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