Soren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded Either/Or as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of Either/Or are the writings of a young man (I) and of Judge William (II). The ironical young man's papers include a collection of sardonic aphorisms; essays on Mozart, modern drama, and boredom; and "The Seducer's Diary." The seeming miscellany is a reflective presentation of aspects of the "either," the esthetic view of life. Part II is an older friend's "or," the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the "either/or" is left to the reader, for there is no Part III until the appearance of Stages on Life's Way. The poetic-reflective creations of a master stylist and imaginative impersonator, the two men write in distinctive ways appropriate to their respective positions.
具體描述
讀後感
最初的爱通常来自天真无邪的女子，因为大部分男人是骄傲的，男人想要一切，他不想有什么东西在自己之上；因为大部分男人只想着征服；因为大部分男人过早地经历了人生的黑暗以至于过早地失去了纯真。失去纯真的人，恐怕要经历人生的各种“迁徙”或者绝望之后，再从成人返璞归真...
評分 評分非典期间禁闭的两个月里读完的，开始不知道这人是谁，只是在图书馆偶然翻到，站着看了半本，有种奇特的感觉，似乎可以用“契合”这两个字来形容，后来非典了，想借两本厚点的书来渡过时间，就把《或此或彼》借回去了，每天看，反复看，抄写下来，在句子下划线，书边写评语(用铅...
評分【按语：《非此即彼:一个生命的残片（Either/or: a fragment of life,1843)》下卷是对上卷的答复。在上卷中，尤其是《诱惑者的日记》中，Kierkegaard刻画了一种审美的生活取态，“他最大的激情，是那青春初放的女性。”[上卷，380]；而下卷则驳斥了审美的生活，认为伦理的（含...
評分用戶評價
很詭辯
评分五光十色
评分哈哈哈哈我覺得現代的"神級黑”就是這貨創始的把
评分He's just a genius writer like Nietzsche. Aesthetic way of life.
评分五光十色
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