A Happy Death

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加缪(1913-1960),法国著名小说家、哲学家、戏剧家,出生于阿尔及利亚的蒙多维城。1957年因“热情而冷静地阐明了当代向人类良知提出的种种问题”而获诺贝尔文学奖,是有史以来最年轻的诺贝尔奖获奖作家之一。主要作品有小说《局外人》、《鼠疫》,哲学随笔《西西弗神话》、《反与正》、《反叛者》和剧本《卡利古拉》、《误会》等。

出版者:Vintage
作者:Albert Camus
出品人:
页数:208
译者:
出版时间:1995-8-29
价格:USD 15.00
装帧:Paperback
isbn号码:9780679764007
丛书系列:Vintage Camus
图书标签:
  • Camus 
  • 加缪 
  • Absurdism 
  • 英文原版 
  • 法国文学 
  • 艺术 
  • 爱 
  • 法國---France 
  •  
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In his first novel, A Happy Death, written when he was in his early twenties and retrieved from his private papers following his death in I960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard

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在二十四岁的时候加缪写了《快乐的死》,故事并不复杂,以一宗谋杀案起首,梅尔索因而获得巨额财富,得以过着时间跟金钱都充裕的人生。尽管如此,他还是不怎么感到幸福,于是他透过不同的尝试,企图找寻人生下一个快乐源泉。到底快乐是什么?快乐是以怎样的形态出现在我们的生...

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《快乐的死》讲的究竟是什么?小说的结尾梅尔索是死了吗? 如果依照小说题目来理解,梅尔索是快乐地死去了,但这种死带有喜悦的成分,而看小说写法上,却看不出死了,还是只是暂时的休憩。 作为加缪未刊小说,让人费解的结尾也是可以理解的。 仅仅以结尾来诠释小说名字,似乎简...  

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读加缪的处女作《快乐的死》,很难忽略其成名作《局外人》的影子,连通常最易不靠谱的腰封,亦揭示了其中的联系:“梅尔索的艰困的探索,预告了日后默尔索的方向。”从某种意义而言,《快乐的死》更像青春版《局外人》,虽然场景更绚烂浮夸,有一种未经打磨的棱角与锐气,然而...  

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用户评价

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“Living this way, in his own presence, time took on its most extreme dimensions, and each hour seemed to contain a world.”

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“Living this way, in his own presence, time took on its most extreme dimensions, and each hour seemed to contain a world.”

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“Living this way, in his own presence, time took on its most extreme dimensions, and each hour seemed to contain a world.”

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先看的L'étranger再看的这本。L'étranger里有好多从这里回收并二次利用的内容,有趣。 后来想想,总觉得Mersault像加缪的人,而Meursault是他的态度。

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didn't really understand this book

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