François Truffaut (1932-1984), perhaps the most respected member of the New Wave group of French moviemakers, left a legacy of beloved and influential films that include The 400 Blows, Jules and Jim, Stolen Kisses, Day for Night, and The Story of Adele H. Equally fascinating is the very large body of film criticism Truffaut wrote over many years for Cahiers du Cinema and other leading film journals. Wonderfully varied, personal, and informal, these reviews all communicate unabashed love for and an enormous excitement about the movies. The Films in My Life is Truffaut’s own selection of more than one hundred essays that range widely over the history of film and pay tribute to Truffaut’s particular heroes, among them Hitchcock, Welles, Chaplin, Renoir, Cocteau, Bergman, and Buñuel.
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可惜我不是楚弗信徒，前有楚弗后有诺油缸，实在不懂为何这么吹捧希区柯克，明明日以作夜里更多找到了八部半的影子。能看到一部Lola montes，知道Max Ophuls就知足了，谢谢楚弗。
评分可惜我不是楚弗信徒，前有楚弗后有诺油缸，实在不懂为何这么吹捧希区柯克，明明日以作夜里更多找到了八部半的影子。能看到一部Lola montes，知道Max Ophuls就知足了，谢谢楚弗。
评分“I never understood the meaning of a film. I am very concrete. I only understand what is on the screen. In my whole life, I have never understood a single symbol.”
评分可惜我不是楚弗信徒，前有楚弗后有诺油缸，实在不懂为何这么吹捧希区柯克，明明日以作夜里更多找到了八部半的影子。能看到一部Lola montes，知道Max Ophuls就知足了，谢谢楚弗。
评分“I never understood the meaning of a film. I am very concrete. I only understand what is on the screen. In my whole life, I have never understood a single symbol.”
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