The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel Burch and other film historians. In the process he celebrates a century of cinema, integrating discussions of the film classics such as "The Birth of a Nation" and "Citizen Cane", with analysis of more current box-office successes such as "Jaws" and "The Hunt For Red October". The contributions of noted and neglected directors are examined, and the author considers the earliest film making, the accomplishments of the silent era, the development of Hollywood, and the strides taken by European and Asian cinema in recent years. The book proposes that stylistic developments often arise from filmmakers' search for efficient solutions to production problems. The author traces this activity across history through a detailed discussion of cinematic staging.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
前幾章梳理得好，後麵讀起來纍，感受得到框架搭得非常好，閱片量深不可測。主義理論不過提供一些不同視角，乃至在學術中成為一種話術，路怎麼走纔通還是要自己figure it out#道理我都懂但是研究計劃咋寫
评分前幾章梳理得好，後麵讀起來纍，感受得到框架搭得非常好，閱片量深不可測。主義理論不過提供一些不同視角，乃至在學術中成為一種話術，路怎麼走纔通還是要自己figure it out#道理我都懂但是研究計劃咋寫
评分波德維爾的邏輯就是講語義場，其他學科的人也會，電影研究風格史的意義就是做其他學科做不瞭的事兒。電影可以把藝術史當做學科模範。
评分大部分內容是historiography of the historiography of film style，整理瞭主要的風格史模型（巴贊、Burch等），寫法高級，可以清楚看到特定影片、導演、風格是在何種脈絡中實現經典化的。最後一章提齣瞭DB自己主張的問題-解決模型，並應用於對staging of depth的細密分析。
评分波德維爾的邏輯就是講語義場，其他學科的人也會，電影研究風格史的意義就是做其他學科做不瞭的事兒。電影可以把藝術史當做學科模範。
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