After crossing oceans, a man and a boy arrive in a new land. Here they are each assigned a name and an age, and held in a camp in the desert while they learn Spanish, the language of their new country. As Simon and David they make their way to the relocation centre in the city of Novilla, where officialdom treats them politely but not necessarily helpfully.
Simon finds a job in a grain wharf. The work is unfamiliar and backbreaking, but he soon warms to his stevedore comrades, who during breaks conduct philosophical dialogues on the dignity of labour, and generally take him to their hearts.
Now he must set about his task of locating the boy's mother. Though like everyone else who arrives in this new country he seems to be washed clean of all traces of memory, he is convinced he will know her when he sees her. And indeed, while walking with the boy in the countryside Simon catches sight of a woman he is certain is the mother, and persuades her to assume the role.
David's new mother comes to realise that he is an exceptional child, a bright, dreamy boy with highly unusual ideas about the world. But the school authorities detect a rebellious streak in him and insist he be sent to a special school far away. His mother refuses to yield him up, and it is Simon who must drive the car as the trio flees across the mountains.
The Childhood of Jesus is a profound, beautiful and continually surprising novel from a very great writer.
J.M.库切,当代作家,文学大师,史上获得最多文学奖项的作家之一,1940年生于南非开普敦。作品包括《等待野蛮人》《迈克尔?K的生活和时代》《男孩》《青春》《夏日》《耻》《凶年纪事》等。两次夺得布克奖,并于2003年荣获诺内尔文学奖。
媒体推荐:
J.M.库切的小说以结构精致、对话隽永、思辨深邃为特色……对当下西方文明中浅薄的道德感和残酷的理性主义给予毫不留情的批判。——2003年诺贝尔文学奖授奖词
这部作品包含库切对文字一贯严苛的精确,他有望成为首位三次夺得布克奖的伟大作家。——《观察家》
发人深省的小说,对生活的拷问来自内心深处……轻透行文下饱含层层深意。——《爱尔兰独立报》
库切的寓言,带有卡夫卡的质感……非常吸引人,是库切这十几年来最好的作品。——《每日邮报》
五十多岁的西蒙,带着五岁的、与父母失散的孩子大卫,来到一座叫诺维拉的城市。孩子看上去很普通,半闭着眼睛,允吸手指头,跟着西蒙在诺维拉开始新生活。这是一座奇异的城市,在这里,每个人都没有过去,一切都要从头再来。西蒙在难民安置中心分得一套小房子,又在码头...
评分这本书的作者库切是2003年的诺贝尔文学奖得主。库切本身是南非人,在上世纪六十年代初移居英国,后在2002年移居澳大利亚,加入澳洲籍。库切的这本《耶稣的童年》是他探讨新移民问题的‘耶稣三部曲’的第一部。其实我们了解到作者自身不断移民经历的历史可以理解他对这种移民问...
评分不管怎么解读这个故事,《耶稣的童年》都带着一种隐喻从始至终存在,即便我们不去过于纠缠库切像在其他小说中叠加和强调的那种隐喻,也会对这样一个表面上古怪和建立在虚构时空里的故事多少有点意犹未尽或者似懂非懂。如果说库切是要在《青春》、《童年》、《耻》和《等待野蛮...
评分五十多岁的西蒙,带着五岁的、与父母失散的孩子大卫,来到一座叫诺维拉的城市。孩子看上去很普通,半闭着眼睛,允吸手指头,跟着西蒙在诺维拉开始新生活。这是一座奇异的城市,在这里,每个人都没有过去,一切都要从头再来。西蒙在难民安置中心分得一套小房子,又在码头...
评分这本书的作者库切是2003年的诺贝尔文学奖得主。库切本身是南非人,在上世纪六十年代初移居英国,后在2002年移居澳大利亚,加入澳洲籍。库切的这本《耶稣的童年》是他探讨新移民问题的‘耶稣三部曲’的第一部。其实我们了解到作者自身不断移民经历的历史可以理解他对这种移民问...
这是一个抛去了装饰、不乐于前进的城市,没有目的,没有贪婪,只有善意,秩序,随遇而安,清心寡欲。(难道就没有那么一点,让人向往吗?)可是异乡人西蒙无法洗净身上的记忆与本性与颜色,童年大卫也无法屈服于公用的语言、公用的规范。语言在孩子口中回到了初始的、混沌的、自创的、未经调和的、无需臣服的状态,满嘴跑火车的“妄想”也让不同人眼中的现实的裂缝得到审视。但是对规范的质疑、拒绝承认也意味着隔离、驱逐。书的开头说「Here as opposed to where? There is nowhere else to be but here.」而书的结尾变成了「That's all. Looking for somewhere to stay, to start our new life.」不振奋人心吗?
评分人生循环往复,我们理所当然地按照长久以来的教化生活,却很少停下来反思,我们认为对的,就是对的吗?那些我们视为异类的是不是才是真正正常、理智,且清醒的呢?理想世界真的存在吗?世外桃源就是最完美的地方吗?当下的问题和挣扎到远方就会消失无影踪吗?带着这些追寻,他们再一次远走他乡。
评分things... and stuff
评分things... and stuff
评分这是一个抛去了装饰、不乐于前进的城市,没有目的,没有贪婪,只有善意,秩序,随遇而安,清心寡欲。(难道就没有那么一点,让人向往吗?)可是异乡人西蒙无法洗净身上的记忆与本性与颜色,童年大卫也无法屈服于公用的语言、公用的规范。语言在孩子口中回到了初始的、混沌的、自创的、未经调和的、无需臣服的状态,满嘴跑火车的“妄想”也让不同人眼中的现实的裂缝得到审视。但是对规范的质疑、拒绝承认也意味着隔离、驱逐。书的开头说「Here as opposed to where? There is nowhere else to be but here.」而书的结尾变成了「That's all. Looking for somewhere to stay, to start our new life.」不振奋人心吗?
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