The massive political, economic, and social changes China has undergone during the past decade have dramatically altered its cultural landscape. The exhibition New Photography from China and its catalogue offer the first comprehensive look at the body of photographic art produced during this period. Often ambitious in scale and experimental in nature, the works featured in New Photography From China encompass a wide range of highly individual responses to these unprecedented transformations.
Essays by co-curators and distinguished scholars Christopher Phillips and Wu Hung examine the recent history and current status of photography in China. Also included are artist interviews conducted by Melissa Chiu, Lisa Corrin, and Stephanie Smith; artists' biographies; and a bibliography. Many of these artists will be introduced to the American public for the first time. This catalogue is a valuable resource for art and cultural historians, students, or anyone interested in contemporary Asian art.
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对于中国摄影（和影像艺术）的书籍太少了，看了一圈又基本都是对于总体现象的概括总结，这样的总结看多了，也没什么意思。能花钱出的书，大多也是展览书，图片倒是不少，杂而零碎。
评分内容不够多。。文章也不够深
评分对于中国摄影（和影像艺术）的书籍太少了，看了一圈又基本都是对于总体现象的概括总结，这样的总结看多了，也没什么意思。能花钱出的书，大多也是展览书，图片倒是不少，杂而零碎。
评分巫鸿的中国摄影小史值得一读；书中收录的作品堪称恐怖图像大全，千禧年前后的所谓中国前卫艺术似乎只在乎一个概念，那就是“恐怖／瘆人”。
评分对于中国摄影（和影像艺术）的书籍太少了，看了一圈又基本都是对于总体现象的概括总结，这样的总结看多了，也没什么意思。能花钱出的书，大多也是展览书，图片倒是不少，杂而零碎。
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