Book of critical essays by T.S. Eliot, published in 1920. In it, Eliot discusses several of the issues of modernist writings of the period. The best-known essay of the collection, "Tradition and the Individual Talent," puts forth Eliot's theory of a literary tradition that comprises the whole of European literature from Homer to the present and of the relationship of the individual poet to that tradition. Another notable essay is "Hamlet and His Problems," in which Eliot expresses his theory of the OBJECTIVE CORRELATIVE, a phrase he adapted from either George Santayana or Washington Allston.
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文本只是方程式,作家不过是催化剂;果然可以看到荣格的影子。另,终于理解为何纳博科夫如此鄙薄精神分析乃至艾略特本人——没有比前者更self-conscious的独裁者了。
评分文本只是方程式,作家不过是催化剂;果然可以看到荣格的影子。另,终于理解为何纳博科夫如此鄙薄精神分析乃至艾略特本人——没有比前者更self-conscious的独裁者了。
评分文本只是方程式,作家不过是催化剂;果然可以看到荣格的影子。另,终于理解为何纳博科夫如此鄙薄精神分析乃至艾略特本人——没有比前者更self-conscious的独裁者了。
评分文本只是方程式,作家不过是催化剂;果然可以看到荣格的影子。另,终于理解为何纳博科夫如此鄙薄精神分析乃至艾略特本人——没有比前者更self-conscious的独裁者了。
评分文本只是方程式,作家不过是催化剂;果然可以看到荣格的影子。另,终于理解为何纳博科夫如此鄙薄精神分析乃至艾略特本人——没有比前者更self-conscious的独裁者了。
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