Book of critical essays by T.S. Eliot, published in 1920. In it, Eliot discusses several of the issues of modernist writings of the period. The best-known essay of the collection, "Tradition and the Individual Talent," puts forth Eliot's theory of a literary tradition that comprises the whole of European literature from Homer to the present and of the relationship of the individual poet to that tradition. Another notable essay is "Hamlet and His Problems," in which Eliot expresses his theory of the OBJECTIVE CORRELATIVE, a phrase he adapted from either George Santayana or Washington Allston.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
文本隻是方程式，作傢不過是催化劑；果然可以看到榮格的影子。另，終於理解為何納博科夫如此鄙薄精神分析乃至艾略特本人——沒有比前者更self-conscious的獨裁者瞭。
评分文本隻是方程式，作傢不過是催化劑；果然可以看到榮格的影子。另，終於理解為何納博科夫如此鄙薄精神分析乃至艾略特本人——沒有比前者更self-conscious的獨裁者瞭。
评分文本隻是方程式，作傢不過是催化劑；果然可以看到榮格的影子。另，終於理解為何納博科夫如此鄙薄精神分析乃至艾略特本人——沒有比前者更self-conscious的獨裁者瞭。
评分文本隻是方程式，作傢不過是催化劑；果然可以看到榮格的影子。另，終於理解為何納博科夫如此鄙薄精神分析乃至艾略特本人——沒有比前者更self-conscious的獨裁者瞭。
评分文本隻是方程式，作傢不過是催化劑；果然可以看到榮格的影子。另，終於理解為何納博科夫如此鄙薄精神分析乃至艾略特本人——沒有比前者更self-conscious的獨裁者瞭。
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