As the first great age of European naval exploration came to an end in the late sixteenth century, merchants and missionaries began to travel to the Far East in search of new markets and new harvests of souls.
One of the most extraordinary of these travellers was Matteo Ricci, a Jesuit who left his native Italy in 1577 and journeyed first to India and then to China, where he lived and worked from 1583 until his death in 1610.
To capture the complex emotional and religious drama of Ricci's life, Jonathan Spence has shifted away from conventional biographical techniques and has placed his subject in a structure of images that Ricci himself composed. One set of these images derives from four crucial moments in the Bible, which Ricci introduced to China by means of wood engravings with his appnded commentaries, one set is found in a book on the art of memory, which Ricci composed in Chinese and circulated among members of the Ming dynasty's elite.
The result is not only a rich and compelling narrative about Ricci's life in Italy, India and China, but also a significant work of global history, in which intellectual, social, military, maritime and religious themes are drawn together, juxtaposing the world of Counter-Reformation Europe with that of Ming China. The Memory Palace that Ricci attempted to describe in print is transformed in Spence's extraordinary book into a frame for Ricci's life and a metaphor for the hopes and fears of a largely forgotten world.
Jonathan D. Spence (Chinese name: 史景遷, August 11, 1936– ) is a British-born historian and public intellectual specializing in Chinese history. He has been Sterling Professor of History at Yale University since 1993. His most famous book is The Search for Modern China, which has become one of the standard texts on the last several hundred years of Chinese history. A prolific author, reviewer, and essayist, his other books include The Death of Woman Wang (1978); The Memory Palace of Matteo Ricci (1984); The Question of Hu (1987); Chinese Roundabout: Essays on History and Culture; The Gate of Heavenly Peace: The Chinese and Their Revolution 1895-1980; The Chan's Great Continent: China in Western Minds; and God's Chinese Son (1996). His research often takes him to many Chinese universities.
如何再现一个逝去的年代?那通常大概只能依赖人们的记忆力和想象力,两者的结合可以唤回某些失落在时间中的那个世界的瞬间。不过人的寿命终究有限,个人切身所体验的经历很难超过上百年的时长,甚至即便是自己亲身经历的事,人的记忆也常常被证明为是不可靠的,而包括文献、档...
评分无意中买到这本书,对我来说真是意外之喜,对于这本书以及记忆宫殿的兴趣,正如后记中所说的,一般是来自于TVB的读心神探,塔它让这种似乎神迹般的记忆术在我心中充满了好奇和神秘感,但是每次买到了书好像都徒有其表,这次阴差阳错竟然买到了电视剧中同款书籍,真是圆了我一个...
评分利玛窦远渡重洋来到明代中国传教,可谓困难重重,因为这里的文化、社会风俗、宗教和政治环境、中国人对待外国人的态度等等无不让他时常感到困惑、甚至置身危险处境。但他选择通过掌握中国的语言文化,坚持在中国开展传教事业直到生命的最后一刻也从未动摇,对此可以说我是真的...
评分无意中买到这本书,对我来说真是意外之喜,对于这本书以及记忆宫殿的兴趣,正如后记中所说的,一般是来自于TVB的读心神探,塔它让这种似乎神迹般的记忆术在我心中充满了好奇和神秘感,但是每次买到了书好像都徒有其表,这次阴差阳错竟然买到了电视剧中同款书籍,真是圆了我一个...
a strangely beautiful book
评分a strangely beautiful book
评分a strangely beautiful book
评分a strangely beautiful book
评分a strangely beautiful book
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