Perspective as Symbolic Form

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Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).

出版者:Zone Books
作者:Erwin Panofsky
出品人:
页数:198
译者:Christopher S. Wood
出版时间:1991-11-14
价格:USD 32.95
装帧:Hardcover
isbn号码:9780942299526
丛书系列:
图书标签:
  • 艺术史 
  • Panofsky 
  • 视觉转向 
  • 艺术理论 
  • 艺术 
  • 潘诺夫斯基 
  • 思想史 
  • 西方艺术史 
  •  
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Erwin Panofsky's Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art historical and philosophical discussions on the topic of perspective in this century. Finally available in English, it is an unrivaled example of Panofsky's early method that placed him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over Antique philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of "archaeology" of Western representation that far surpasses the usual scope of art historical studies.<br /> <br /> Perspective in Panofsky's hands becomes a central component of a Western "will to form," the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. Yet the perceptual schema of each historical culture or epoch is different, and each gives rise to a different but equally full vision of the world. Panofsky articulates these different spatial systems, demonstrating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is characterized by its peculiarly mathematical expression of the concept of the infinite, within a space that is necessarily both continuous and homogeneous.

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写作完美与否不取决于结论是否被后人超越

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今天大家都把玩笑对象从教授转到了老潘潘身上。阿根廷来的Mabi带来了超好味的面包,说希望亲爱的教授不会介意the curvature。智慧与美貌兼备的教授也改了之前的发言顺序,因为要呼应古希腊的fish-bone axis。Monica还分享了潘潘的爱狗死后他的同事集资为他买了新狗狗的八卦。大家都好nerdy好可爱啊。

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注解快超过正文篇幅了,考究考究就是这样。

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+ < style and medium in the motion picture >

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Levin课上振臂惊呼: Panofsky当年在哪里讲的style and media in motion?就在隔壁Marquand!但这都2019年了Princeton还坚持不设media studies!你看这些学校里!绝无仅有!

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